like a house of

like a game of
Jenga, or Operation

like the careful restructuring
of a house of cards

how to
delicately slide
the desired shape

out of its current position
and into the one
I choose?

it’s absolutely essential
to have a steady hand,
to avoid upsetting the harmony

must not startle,
or cause alarm

she is nestled ⠀
comfortably
into her little nook, ⠀
her home

if it is indeed possible that
she might be moved by me…

then I must proceed
ever so gently, deftly,
with the greatest
of charm and tact

otherwise, the whole structure
could come tumbling

down

one must be debonair,
unhurried, poised, skilled,
perhaps even a bit
devil-may-care

for a handler of cards,
the appeal of the card
is what strength she brings to his hand

does she make for a
weak pair of twos?

or does she complete his straight flush?

does she make him look and feel
like the winner of the game?

but the card herself,
she is far more impressed
by the manner in which
an adroit dealer is able to
adeptly and confidently ⠀
handle her

expertly positioning her
without her necessarily
noticing

she wants to feel
safely controlled,
lovingly held,
as a crowning
symbol of
fulfillment
and fruition

but if the Queen of Hearts
is yielding…

if she offers some assistance,
some small help
in wiggling her out
of that lonely position
between the Three of Clubs
and the Four of Spades,
then there’s hope

and I will keep that card
always

up under my sleeve,
right next to my skin


©2025 Kevin Trent Boswell 

reengineered

reinvent the round, roly-thing
obfuscate, make useful stuff obsolete
situations we’d sorted out,
happily, a long time ago

some growing pains, yes, a sting
lots of sunk-cost fallacies to eat
and tales of yesterday to talk about
but no real satisfaction to show


©2025 Kevin Trent Boswell 

quiet in the jungle

where have all the lions gone?
they used to roam these parts freely
out on the plains,
sometimes in the streets

but look all around,
and you won’t find any
in the trees
or under the sheets

the lions are hiding,
but they are not afraid,
even though the gazelle
swears otherwise

zebra asks the lion
if his confidence decayed
but the lion says,
“look deep in my eyes”

look closely, you’ll notice
there’s no appetite
for there’s no game here
worth the effort to devour

so, I no longer hunt
because the taste isn’t right
the meat is all bitter
and sour


©2025 Kevin Trent Boswell

grown ass sovereign

tiny tyrant, vindictive and petty
useful in the most useless of ways
omniscient, omnipotent, powerless, dumb
toy compass points toward hateful malaise

closed off from everyone, open to all of it
help is the hunger to acquire, to accrue
never learned to do the dance of anything
all those skills are for someone else to do

cocked, sawed-off, double-barrel rage
all of us failed to know what was hidden
couldn’t guess the number of jelly beans
a boobytrapped jar labeled “forbidden”

you should’ve known, even though i don’t
get out of my head, give me some space
i’m so lonely, why don’t you love me?
but i always take time to put you in place

trapped in the mirror, the empty reflection
ripples don’t break the Narcissus spell
no wrinkles in the alarm clock’s sleep
a ladder of bones to a personal hell

an army of me, but none of those copies
are this good, although all are the same
and i know how you love my hurdles when
you say how much you hate this game

one pill or the other; it’s hardly the issue
this one is poison, no name on the jar
many will partake, thinking it medicine
but all will collapse, and none will get far


©2025 Kevin Trent Boswell


encroaching

that taste
will not always
haunt the lips

or will it?

it is certain that
other hungers
will swarm the palate
and strangle
the familiar flavor

or is it?

the trail is littered
with the swollen corpses
of fabled monsters
and brittle heroes

the valley is cursed
and the sky is burnt

hedgerows of thorn bushes
quietly weep blood
in the shadows

they sing mournful songs
of blistered eyes,
salted fields full of silk roses,
wolfsbane and hellebore,
the broken teeth of clockwork dolls,
and a thousand crushed hearts
of little bluebirds
overflowing from the
mortar and pestle

beckoning mirage,
a courtyard fountain
that sprays only gossip,
a wishing well
of screaming sad sirens,
hungry to drown
all careless passersby

my history’s pages
are all made of dust

the cap is of old tile,
the gown is a shroud,
and the tassels are all
desiccated worms

guts of tapioca
and bones of papier-mâché

any junior scout
with a compass and a crayon
could’ve easily mapped out
my imminent demise

it would have
saved a great deal
of yet more useless time
had I set my fool’s course
directly for the rocks,
instead taking such
a circuitous route

surely, this was
how I stumbled;
once, at least

craving the honorifics
of a conqueror,
a king

chasing wispy legends,
a haunted city of gold
that lay in the heart
of an untamed jungle
on a remote little island
only rumored to exist

a gnarled patch of land
that only surged up
from deep ocean trenches
in the craven imaginings
of a syphilitic madman

a derelict scoundrel
who scrawled dark heresies
onto pages of black dust
in an ink made from octopus,
the dried blood of
slaughtered griffins,
slain wyverns,
and fallen angels

an El Dorado of oblivion,
always just over the horizon
swelling in the overheated
cranium of a lunatic
drunk on malaria
and a dry, bitter wine
made from red poison berries

any wobbly toddler
could have rightfully discerned
that it was only a cruel game of
peek-a-boo and goodbye

the face keeps disappearing,
disappointing, disapproving,
and daily disavowing

and never allowing
deeper mysteries
to be known

any toy soldier could have
made short work
of my defenses

the walls of my fortress
were destined to fail
and crumble
and be swallowed up
by the ruthless, ever-empty,
ceaseless cravings
of jaws that lust
for everything
and nothing

any busted clock
could have
told the tale
of how I was
out of time
before I ever
began

of how I would,
without doubt,
be swept from the decks
of the good ship of memory,
into the raging sea

it has always been a given,
that I would be erased
from the blackboard of thought,
and cast out of
the picture

it was always
understood,
a given,
a known

or was it?


©2025 Kevin Trent Boswell

Cut It Out

Cut it out of the sternum
And place it on the altar

I no longer want it,
This bitter heart
In my mouth

A locked chest full of feathers,
Little lockets and silvery trinkets,
Walking sticks and reeds of bamboo,
Straps of leather and heavy chains,
Strange wires and clockworks,
Flowers of unusual, grand, noble gestures,
The teeth of pirates, the entrails of kings,
And the bones of beached sharks,
Now too frail to feed

The carpet needed
A little splash
Of red, anyway

You know, just a little something extra
To accent the curtains

The dusk and the music box
Both wait in the corner
To spit fire and agony
Into the flesh of the evening

Surrender to the waves

The waves were always wiser

They always kept moving,
Never weighing themselves down

Fight off all of those
Ridiculous impulses,
Provocateur pushes
To the edge of another,
Another one of those nothings,
Exactly like all the ones
That come night after night

Resist the pulse,
The catalyst incentives
To do yet more stupid things,
Stupid things like breathing

Sew this dumb mouth shut
With a spool of black thread
Stolen from the undertaker’s
Trench coat pocket

Do it before all of those sounds
Escape

All those sweet, garbled mysteries
That fell into it while I was drunk
On her flesh

And still foolish enough
To believe I was alive

Capture them in stitches
With the Devil’s dried-up veins
And a needle of blackthorn

Line the casket with
Old newspapers

And line the birdcage
With red silk

Pour me a bowl of stone gravel
And a ladleful of sour milk

Plug my ears with wax,
While they are still full
Of her laughter

The ancient cathedral
Has more than enough novenas,
And indeed, the blind priest,
He will not miss just one

Pull out these bloody eyes
With spoons made for ice cream

And press them both tightly
Between the pages
Of an old book of secrets

Here, they’ll be safe,
And spared the pain
Of seeing

Stuff the eye sockets full
Of meaningless words

Wrap it all up, and
Place it all in a box
A box made of yew,
And cedar and cypress

Then, nail it shut with
Rail spikes of iron,
Hammer them in tightly
With the skull of a ram

Stretch it over completely
With the skin of my body
Pull it good and tight,
As taught as the head
Of a plaintive dirge drum

Place the whole lot of it
In the hole and cover it over
With a shovelful of mourning
And a fistful of yesterdays

They’re far superior to these
Rubrics of today’s fabrications and
Tomorrow’s rumors of
Trial-and-error pleasures

But sing to it softly,
As you cover it with fresh earth,
So it will feel less alone
As it communes in silence
With all the roots and rocks beneath

The gris-gris is not sealed
Until you etch the proper glyphs
Into the tablet of lead, and you
Speak the words over it, and then
Place it in the ground

But miss nothing about this,
It is not buried treasure
Make no maps, no monuments,
No markings on the calendar

It is only a sarcophagus,
The coffin of a scorpion
Who dreamed itself once
A bright pharaoh of the valley
But awoke screaming in the night
To the songs of its madness
And it crawled into itself
And there, ever, it remained

Listen now to the kettle,
How it raves and howls,
How it steals hot kisses
From the streetlights below,
And thumbs its raised nose
At wandering ghouls

There will be no snow this winter,
Only weeping glaciers

And the sea will be taking
Its out-of-time cues
From the heartless sun
Who is thankful for itself

The ferryman waits for me,
On the bank of the morning

His oar is readied
And impatiently thumping

It is time to go


©2024 Kevin Trent Boswell