My Funny Valentine

My Funny Valentine

“My Funny Valentine” is a show tune from the 1937 Rodgers and Hartcoming of age musical Babes in Arms in which it was introduced by teenaged star Mitzi Green. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists.  —Wikipedia


Music by Richard Rodgers⠀
Lyrics by Lorenz Hart⠀
Arrangement by Barry Coates⠀
Performed by Trent Boswell


Like and Subscribe HERE


Original Lyrics

Verse (Introductory)

Behold the way our fine-feathered friend
His virtue doth parade
Thou knowest not, my dim-witted friend
The picture thou hast made⠀

Thy vacant brow and thy tousled hair
Conceal thy good intent
Thou noble, upright, truthful, sincere
And slightly dopey gent—
You’re…⠀

Refrain

My funny valentine,
Sweet comic valentine,
You make me smile with my heart⠀

Your looks are laughable,
Unphotographable,
Yet you’re my favorite work of art⠀

Is your figure less than Greek?
Is your mouth a little weak?
When you open it to speak,
Are you smart?⠀

But don’t change your hair for me,
Not if you care for me
Stay, little valentine, stay
Each day is Valentine’s Day


How High the Moon

This is a chord-melody arrangement of one of my favorite jazz tunes, a lovely song called “How High the Moon.”

Words by Nancy Hamilton⠀
Music by Morgan Lewis⠀
Arrangement by Mike Christiansen⠀
Performed here by Trent Boswell


How High the Moon

If you enjoy it, then please take a moment to click here, and like it on YouTube, Subscribe.

YouTube truly hates small, independent artists, so it’s a small act of rebellion to like and subscribe to relatively unknown creators.

And to show appreciation for jazz in 2026 is outright madness. So, go on, like it and subscribe.

Make them have to come haul you away in a straight jacket. It’ll be funny. The hospital is pretty nice. The walls are soft, they give you cookies and juice, and the meds make you feel great.


Original Lyrics

Somewhere there’s music,
How faint the tune
Somewhere there’s heaven,
How high the moon

There is no moon above
When love is far away too,
‘Till it comes true
That you love me as I love you

Somewhere there’s music,⠀
It’s where you are
Somewhere there’s heaven,⠀
How near, how far⠀

The darkest night would shine⠀
If you would come to me soon
Until you will, how still my heart,
How high the moon


Mandala of Sand – Pt 1

I’ve shared this gargantuan anthem before, but not since 2021. This music was born of deep sadness but eventually became a source of joy.

I was grieving my beloved pit bull, Stacie. She was my baby girl for 16 years. I had to have the vet put her to sleep and I was with her as she passed.

To heal, I needed to make loud, angry metal guitar music. I felt pulled to something riff-based and modal, so I wouldn’t have to think about it very much. This piece has no vocals for the same reason.

I would be remiss not to mention my two main influences on this Trifecta of Doom, the bands Megadeth and Tool.

The final product was three movements, each one about twelve minutes in length. I find Part 1 to be the strongest, overall, but there are elements of the other two that others might like more.

The title is a reference to the intricate and finite spiritual sand art of the Tibetan Buddhist monks and Native Americans.

Tibetan monks working on sand mandala

In this world, nothing lasts forever, but the only way we can be truly alive is to put 100% effort into the things we do. To half-ass things is to be dead before you die.

Navajo sand painting

During that intense period of grief, working on this project was the only thing that brought me any kind of satisfaction at all.

Mandala of Sand – Pt. 1 is the final track on my third album, Area 25, available on all major music streaming platforms.

The Stacie

Quiet

“Quiet” by Trent Boswell

Quiet

From the upcoming album of electronic music

Crossing the Rubicon

Coming Soon

Lyrics:

ruthless angel,
bent on blood
ever-sought
endorphin flood

feast on heartbeat
of tender young
wily, sticky,
praise-dripping tongue

break accidental
steppingstone
precision, falling,
clockwork drone

caring for nothing
but small throne
calculations crunch
numbers, bone

no rancor, mess
rumor, hush
listen now,
quiet, shush

make a devil
but never tell
eat your silence,
control it well

bring your secrets
to curled, black lip
her favorite sound,
your blood, go drip

drink of the night
drink more than your fill
drink in the victory
drink to the kill

trophies invisible
trophies of flesh
all temples, divisible
empires mesh

quiet now, children,
and listen…
a story,
a clue

of course, you
didn’t hear it,
you were never
meant to


©2024 Kevin Trent Boswell

Lyrics in print in my book Chaos Comes Apart, available on Amazon:

More material at:

Early Demo Version of “Scorpio”

This is the first recorded version of the instrumental Trent Boswell piece called “Scorpio.”

It was done with an acoustic guitar, no mic, straight into a cheap, handheld tape deck. It was the kind nobody owns anymore, but was in classrooms, lawyers offices, and company boardroom meetings. Super high-tech stuff, lemme tell ya.


Don’t forget to do all the things:

Like 👍

Subscribe ☑️

Ring the stupid bell 🔔 and select “All”

Comment on the YouTube page 💨

Share the link on your socials ♻️


The fancier, official recording is on the album Area 25 by Trent Boswell, and it features bass, drums, and electric lead guitar.

Area 25, music by Trent Boswell
album artwork by Dorian Strange

If you’re like me, you are not nearly cool enough to use Spotify (the link above). Uncool, Gen X guys like me use services like Apple Music.

Some of you weirdos even use Amazon Music. 

Regardless of where you stream your music, there’s a 96.47326% chance that Area 25 is there, along with Something in the Air, and Flagship.

Something in the Air - music by Trent Boswell
Something in the Air – Music by Trent Boswell

Flagship, by Trent Boswell


The video for the snazzier, full-color, full-band version of Scorpio is here:

©️2024 Kevin Trent Boswell

The Ghost of Tom Joad

guitar, bass, and vocals by Trent Boswell

Late last year, I moved to Portland, Oregon. It’s a wonderfully weird place. The locals actually say, “Keep Portland weird.” There’s a large mural of that saying, somewhere in the city. Everything about this place is quirky, eccentric, and hence, I should fit in here, just fine.

I also started a new job. I’m working in the mental health field. No, I’m not a doctor, therapist, and definitely not a psychiatrist. I just work for a company that trains us to assist people who have one or more mental health diagnoses, addiction problems, or who have lived on the streets, but are now in reliable housing, provided by the state. It’s a good gig. I get paid well, to help the people who really need help the most.

On Friday night, it started snowing, the temperatures were bottoming out as low as 18°F. That’s well below freezing, and it doesn’t even account for the windchill factor.

The other, less positive side of Portland, is that the homelessness crisis here is really bad. It’s almost impossible to go anywhere without seeing at least one car, RV, tent, or lean-to type shelter that someone is using to live in.

I first discovered this song from the band Junip. When I realized that it’s a cover of Bruce Springsteen, I found the original, and loved it, too.

This morning, it’s so cold outside, that neither my dog nor myself want to go outside any longer than is absolutely necessary. But, there are people out there, living in tents and sleeping bags.

I woke up to this song playing, I had left my phone on shuffle all night to help me sleep. I listened to it, looked at the weather, then became obsessed.

I’d never played this song before, but I learned it, then I recorded all the guitar and bass parts, and sang the vocal, and recorded it, and mixed it. Basically my whole Sunday went into this.

I plan to make a video for it, but I wanted to get this out, because I worked on it nonstop all day.

The Ghost of Tom Joad

Men walkin’ ‘long the railroad tracks
Goin’ someplace there’s no goin’ back
Highway patrol choppers
Comin’ up over the ridge
Hot soup on a campfire under the bridge

Shelter line stretchin’ ’round the corner
Welcome to the new world order
Families sleepin’ in their cars in the Southwest,
No home no job no peace no rest

The highway is alive tonight
But nobody’s kiddin’ nobody
About where it goes
I’m sittin’ down here in the campfire light Searchin’ for the ghost of Tom Joad

He pulls a prayer book out of his sleeping bag Preacher lights up a butt and takes a drag
Waitin’ for when the last shall be first, and
The first shall be last
In a cardboard box ‘neath the underpass

Got a one­way ticket to the promised land
You got a hole in your belly and gun in your hand Sleeping on a pillow of solid rock
Bathin’ in the city aqueduct

The highway is alive tonight
Where it’s headed everybody knows
I’m sittin’ down here in the campfire light
Waitin’ on the ghost of Tom Joad

Now Tom said,
“Mom, wherever there’s a cop beatin’ a guy
“The Ghost Of Tom Joad” lyrics
Wherever a hungry newborn baby cries
Where there’s a fight ‘gainst the blood and
Hatred in the air Look for me Mom I’ll be there

“Wherever there’s somebody fightin’
For a place to stand
Or decent job or a helpin’ hand
Wherever somebody’s strugglin’ to be free
Look in their eyes Mom you’ll see me.”

Well the highway is alive tonight
But nobody’s kiddin’ nobody
About where it goes
I’m sittin’ down here in the campfire light
With the ghost of old Tom Joad


Words and music by Bruce Springsteen