Down for the Count

I have crossed wires
And started fires,
Despite having
The best intentions

Hoisted by my own petard
Destroyed by my own inventions

It’s easier than it seems
To give the wrong impression

And harder than you’d think
To explain in a way
That doesn’t sound
Like a confession

Because confessions
Are for intentional harm,
When you knew what
You were doing

But “sorry” is for
When you meant to do well
But didn’t realize
Trouble brewing

I don’t mind saying sorry
For making an ass of myself
I can put my exuberance
Back on the shelf

It’s just that it’s really easy
To do too little
And the other person
Is left to wonder

In attempting to balance it,
Do it right,
I put holes in my boat,
And my boat went under


©️2026 Kevin Trent Boswell

Herbert’s Ghosts

Woe to the man
Alone in the evening
With a fear of the darkness
And a heart that does thunder⠀

Startling terror
Upon a knock at the door
“Who at this hour?”
He can only wonder⠀

Deep is his impending dread
Of spirits and goblins
Bumps in the night
And things that do prowl⠀

Ghosts and banshees
Lurk around every corner
Wolves in the mountains
With their ominous howls


©️2026 Kevin Trent Boswell

Author’s Note: I have always written very quickly. In my early twenties, I worked for a while in a textile mill in South Carolina. I mentioned to a coworker named Herbert how fast I write.

He asked what kind of material I was capable of writing, and I said (perhaps arrogantly) “Anything you want.”

He smiled and said “Can you write me something about ghosts?” About ten or twenty minutes later, I returned with “Herbert’s Ghosts” in my notebook. He was pretty impressed.

He knew that I had written it because he could see me writing in my notebook with a pen from his spot on the floor. And he knew I hadn’t used AI or the internet for help, because this was during the pre-internet era.

That was back when dinosaurs still roamed the earth, but they were just itty-bitty baby dinosaurs; it was that long ago.


From the book Dark Matter – Poems of Horror and Depravity

bunnies in the dark

Listen to this piece

when you work back-to-back
12 hour graveyard shifts
alone
in a quiet place
where you rarely
see anyone
for more than
a few minutes
at a time

your mind goes squinty

you
become
one with
sound

now, I feel the sounds
of the traffic going by

I taste the sound
of the planes coming and going
from the airport

when these die down,
I smell the sound of the leaves
falling from the October branches

I hear coyotes
yipping in the underbrush

but I don’t ever hear the bunnies

the bunnies are too quiet
(so they can avoid the coyotes)

but I see them

after a while, they come to
trust me
as much as a wild bunny
ever trusts anything
that isn’t another bunny

as I make my patrols,
and I stumble onto one,
really close by, they no longer
immediately
dart away

now, they just sit there⠀
and munch on their grass, ⠀
as long as I don’t get
too close

it’s more than just that
freezing in place
defense mechanism

they do that when anyone
comes near, but it lasts only
until you get within
a dozen or so feet of them,
and then they’re off like lightning

but when they allow you
to come
much closer,
it’s special

or so I tell myself, to pass the time

I tell myself that it’s high praise,
and I appreciate it

I appreciate it far more
than most of the compliments
I’ve ever received from people

for those little rabbits
to just sit there,
only three or four
feet away from me,
they have to know
that I’m not going
to suddenly lunge at them,
try to eat them

when a person
compliments me,
I ask myself
the same question,

“are they gonna try to eat me?”

the answer is
usually yes

but the bunnies,
they know me now

I see them,
and as mean and cantankerous
as I can sometimes be,
as misanthropic and as nihilistic
as I frequently feel,
when I see a bunny, I still
instantly, instinctively, turn into
a four-year-old child

I begin talking like
a fucking idiot,
“hewo, widdle bunny wabbit.
“you doin’ bunny stuff?”

a human,
I’m instantly asking myself,
“am I gonna have to
“punch this motherfucker
“in the mouth?
“or is he just lost?”

but the bunnies
can do no wrong by me

any person I see,
I remain professional
and friendly (enough)

but inside,
I’m going cold and still,
weighing what I think this particular
coyote’s motives are

I sometimes deal with
meth heads, homeless people,
severely mentally unstable people,
people who are just lost

I helped a guy get home
had to call the police
to come get him
because he could only tell me
his first and last name,
didn’t even know his address

he referred to himself as
“mentally incompetent”
and apparently, he had
wandered away from home
when they weren’t looking
(if they bothered to look)
he hopped on the bus
and got all the way out here
wearing just shorts, a t-shirt,
socks, and sneakers

I don’t know what his
mental health diagnosis was,
probably severely autistic,
like Raymond Babbitt in
the movie Rain Man
I just know that he is someone
who requires 24/7 looking after
he never should have been
out here with me
and the coyotes
in the cold

I still see his face ⠀
clearly in my mind, ⠀
I hear his voice ⠀
in the October leaves ⠀
⠀
I still see the face of that cop
who I turned custody of him over to,
a big Samoan cop,
looked like it was his first
(or last)
call of his shift, because
he was beat,
dead tired

it was something that I
got to feel halfway
good about

much better than
just telling meth heads
they can’t hang out here

better than telling homeless people,
“hey, you can finish
“collecting cans and bottles from
“the dumpster.
“I won’t call the police on you.
“But you gotta pick up that
“trash you threw on the ground.”

so far, they’ve all considered that
a pretty good deal
and they picked up after themselves

that’s a brutal existence

everyone is a predator
when you’re dumpster diving for
plastic bottles and aluminum cans

anyway,
in the dark,
the crisp leaves
falling off the October trees,
they sound loud,
like intruders
climbing over the fence

like hordes of barbarian invaders

and yet,
you never hear
the bunnies

you only see them

I imagine the older ones
telling the younger ones,

“he’s okay. he won’t eat you.
“he’s just the watchman.
“he just sits in the dark over there
“and reads, writes his poetry,
“and plays that stick thing
“they call a guitar.
“he’s harmless.”

“besides,⠀
“he’s too sad and angry
⠀
“to chase us.
⠀
“he just chases words
⠀
“and sounds.”

“but just the same,
“don’t get too close.
“he’s still a human,
“and those things are
“way more dangerous
“than coyotes.”


©️2026 Kevin Trent Boswell

new poem.

(catchy title, huh?)⠀

poetry
is a liscense
to comit
just about
any
hanous crime.


©️2026 Kevin Trent Boswell


Author’s Note: absurdism, it’s not just for breakfast, anymore, Toto.

From the book on the page – poems for artists, writers, and other hooligans

Poetry by Kevin Trent Boswell
on the page isn’t even in this ridiculous picture.

Juju

Some Occult Horror to chill the air of your Spooky Season

Mama Antoinette squinted hard
Into Camille’s eyes
From behind the counter

“Girl, I told you
“Not to mess ‘round with this.”

“This here… powerful gris gris.”

As she spoke, she pointed at the bag

Her Cajun accent hung lightly
On the incense in the air in the shop

Mama would always flow seamlessly
Between a thick Creole accent, and
A familiar Southern manner of speaking

Camille was sobbing
Into her handkerchief,
Not even aware of how hard
She was clutching the
Small red cloth bag in her hand

Mama stared at the little bottle of oil
Between her fingers and noticed
That the wax seal had been broken on it,
And it was a little bit greasy
On the outside of the bottle,
So it had clearly been opened
And used

For a brief moment, she sounded angry
Before regaining her composure again

“You put a few dabs of this on his
“Personal belongings, like I told you?”

“Ya… yes, Mama… I done what… [Sobs.]
“You said to do.”

“You did say the prayers, didn’t you, girl?”

“Yes, ma’am.”

“And you done it on Friday morning
“At dawn? Friday, two weeks ago?”

“Yes, ma’am.”

“You toted this here hand… in your bra,
[She motioned towards the little red bag.]
“And said that prayer every day?”

Her finger tapped impatiently ⠀
Against a folded piece of brown ⠀
Grocery sack paper ⠀
On the counter

Camille broke into spasms of crying and
It was half a minute before she spoke

“Yes, Mama Antoinette.
“And I kept on working
“My nation sack, too,
“Same way as you told me to.”

Mama let her body relax and her
Head tilted up to the ceiling and
She muttered something indiscernible
In Creole

Then, she pried the little red bag
From Camille’s shaking hand, and said

“I will handle gettin’ rid of this.”

She walked over to the ice box,
Lifted the long metal latch and
Opened the door, and placed it inside
She shut the door and walked over
To the little altar that sat on the West wall

She said a prayer, lit a white glass candle,
Took out a small bottle of Florida Water,
Washed her face with it,
Recited another prayer, tossed a pinch of
Herbs and resins into the candle,
Then returned to the counter
And began to wash Camille’s hands
And face with the perfumed water

“What I want to know, girl, is…
“And you better tell me true…
“Is how you done went from
“That blissful state a things,
“Just one week ago…

“To this.”

Upon uttering the word “this,”
She looked revolted and pushed away
The official-looking manila envelope
Stamped EVIDENCE, laying on the counter
In between the two women

Upon pushing it, a police photograph
Slid out, just so it was now halfway
Visible, and Camille clutched her hands
Over her eyes and began hyperventilating

The photo was of a man’s body,
Slumped in front of a rocking chair
On a front porch

A shotgun, partially underneath the body

There was no trace of a head
Anywhere to be seen

Only dried blood
And a little black line
That Mama reckoned was a trail of ants,
Coming and going from the body

So much blood had poured out,
When the body fell from the chair
That the porch (which had
Previously been freshly painted a
Lovely powder blue color)
Appeared almost entirely red,
Although the exact color
Was not apparent, since it was
A black and white photograph

Mama Antoinette briefly placed her hand
On her forehead, slumped over a bit,
Then pulled a cigarette from the drawer
And lit it as she gathered her thoughts

She took a few drags in silence and
Then she said,

“I told you that this was
“A might powerful ‘lection on
“That particular Friday mornin’.

“You remember me sayin’ it to ya.”

Her face went a bit pale and an
Expression of worry found her eyes

“I told you I ain’t done no love workin’
“This strong in ‘least 14, 15 years.”

“And I seent how that boy was with you,
“Just last week.
“Sampson himself couldn’t a
“Wrestled that boy ‘way from you, girl.
“Ain’t nothin’ he wouldn’t done for you.
“Ain’t nothin’ woulda got him to leave…
“Ever. So, I need to understand this.”

She took another long pull on her cigarette
And she straightened herself up and
Leaned in toward Camille,
Her red dress tugging slightly against
The countertop as she inclined forward

Awareness was on Camille’s face
She was awake to the fact that
The moment of truth had arrived,
And she would have to tell what happened

Camille swallowed hard and
Lowered her eyes down towards the
Cash register

It was something to focus on,
Anything that didn’t require her
To look at Mama Antoinette
Or at that awful photo on the counter

Mama flicked ash into the ashtray

“Now, what was the cause of this, girl?
“Tells me plain, now.
“Don’t make me wait for it.
“I need to understand how this happened.”

Camille had a death grip
On the rounded edge of the bar-type
Countertop, her hands clenched, nails
Almost digging into the wood

“We… we had a fight, Mama.
“I was real mad at him, Mama.”

Mama Antoinette looked as if
She was slipping into hypnosis,
Her posture relaxed and her eyes closed

She already understood
What Camille was about to say

“Oh, dear Lord Jesus.
“You went and played ‘round with
“That lovestruck man’s heart, didn’t you?”

She rested the hand with the cigarette
Against the countertop and
Used the thumb of her other hand
To massage her temple

“I didn’t mean for it to happen, Mama.
“I thought he knew I was just angry.
“I thought he was goin’ to sit out
“There on the porch for a while, and
“Then he’d come back inside,
“Apologize, and we’d make up.”

A deathly look washed over
Camille’s face and she swallowed hard
To clear her throat and get the words out
Now, while she still could

“But I told him…
“Because I was real, real, real mad…
“I didn’t wanna never see him no more…
“To leave and never come back.”

Each word that Camille spoke
Became less and less distinct
The sobs of anguish were a little bit more
Successful in strangling her speech
With each successive sentence

“I didn’t know he was wrapped
“That bad ‘round my finger.”

Her eyes darted briefly to the bottle of oil

“But it wasn’t even his fault, Mama.
“I was just bein’ spoilt.
⠀
“He didn’t even start the fight.
⠀
“I did.”

A profound anger and sadness
Mixed on Mama’s face all at once,
Like a red sea of blood washing over a
Powder blue porch, dripping on the grass

“The last thing I heard him say was…
“He couldn’t live without me.”

Camille collapsed onto the floor
In hysterical crying

Mama walked around from
Behind the counter

She turned the sign on the door over
To say “CLOSED,” and she locked the door

And went and sat beside the girl,
Clutching her in her arms
As she wailed
And sobbed

Outside,
Camille’s brother sat in his truck
Staring blankly at the steering wheel
As he waited to take her to their
Mother’s house to spend the night,
Since her own home was now
Cordoned off by police tape

Children rode by on bikes,
Unaware of anything except
Lightning bugs in the twilight,
Since the sun had just fallen
Underneath the horizon

And the crickets and the cicadas
Ruled the humid summer air

And everything,
As far as the eye could see,
Was growing dark


©2026 Kevin Trent Boswell

scene

A scene, yes, but what kind?

well, now
it’s all
messy

look at
what you’ve
done

it looks
broken,
disheveled

you’re a
lawless
little thing
and I must
put you
back
into
order

I thought
I had sufficiently
pinioned you
in place

but you
interrupted
my concentration,
my rhythm,
my timing

when you
opened
your hot
little
miscreant
mouth

and so,
I had to
fill it with
something

shut it up,
make it
quiet

and now,
everything
is a wreck

chaotic,
unkempt,
all in
disarray

I’m going
to have to
pick up
the pieces,
myself,
and put them
back in the
box

I was
planning
to make you
do that
for me

but now,
you’re
obviously
in no
condition
at all

shambles

it will
not come
easily

it’s going
to take some
pressure,
elbow grease,
and circular
motion

all of these
stains
you’ve
made

hot water
and soap
might not be
enough

utterly
destroyed

and I’d had
so many
beautiful,
imaginative
plans

for the
rest of the
evening


©️2026 Kevin Trent Boswell