Hay Day

I tasted your harvest
Held you in the fall
I heard the strange changes
Saw no one at all

The tea leaves aren’t telling
The wax drips no words
The chords are atonal;
They’re not stacked in thirds

Hey, hey, hey
Play in the hay day
Swallow the bruises
The pain goes away

Hey, hey, hey
Today is a school day;
Just as tomorrow,
And every other day, too

Wheels will slow down,
And hammers go fall
The chains all fall off
There’s no reason to call

A mouth slams shut
For lack of a solver
Birdcage flies open
A willful revolver

Hey, hey, hey
Make rain on a sun day
All the swallows got bruises
A rose fades away

Hey, hey, hey
Today is a school day;
Just as tomorrow,
And every other day, too

I screamed at the empty
You clawed at the door
We kindled a fire
And burned out the floor

Pleading with empty
We gnawed a bit more
We ate the inferno
Lost sight of the score

There’s always more learning
What was already known
Lessons learned again
Are again to be shown


©2025 Kevin Trent Boswell

Cut It Out

Cut it out of the sternum
And place it on the altar

I no longer want it,
This bitter heart
In my mouth

A locked chest full of feathers,
Little lockets and silvery trinkets,
Walking sticks and reeds of bamboo,
Straps of leather and heavy chains,
Strange wires and clockworks,
Flowers of unusual, grand, noble gestures,
The teeth of pirates, the entrails of kings,
And the bones of beached sharks,
Now too frail to feed

The carpet needed
A little splash
Of red, anyway

You know, just a little something extra
To accent the curtains

The dusk and the music box
Both wait in the corner
To spit fire and agony
Into the flesh of the evening

Surrender to the waves

The waves were always wiser

They always kept moving,
Never weighing themselves down

Fight off all of those
Ridiculous impulses,
Provocateur pushes
To the edge of another,
Another one of those nothings,
Exactly like all the ones
That come night after night

Resist the pulse,
The catalyst incentives
To do yet more stupid things,
Stupid things like breathing

Sew this dumb mouth shut
With a spool of black thread
Stolen from the undertaker’s
Trench coat pocket

Do it before all of those sounds
Escape

All those sweet, garbled mysteries
That fell into it while I was drunk
On her flesh

And still foolish enough
To believe I was alive

Capture them in stitches
With the Devil’s dried-up veins
And a needle of blackthorn

Line the casket with
Old newspapers

And line the birdcage
With red silk

Pour me a bowl of stone gravel
And a ladleful of sour milk

Plug my ears with wax,
While they are still full
Of her laughter

The ancient cathedral
Has more than enough novenas,
And indeed, the blind priest,
He will not miss just one

Pull out these bloody eyes
With spoons made for ice cream

And press them both tightly
Between the pages
Of an old book of secrets

Here, they’ll be safe,
And spared the pain
Of seeing

Stuff the eye sockets full
Of meaningless words

Wrap it all up, and
Place it all in a box
A box made of yew,
And cedar and cypress

Then, nail it shut with
Rail spikes of iron,
Hammer them in tightly
With the skull of a ram

Stretch it over completely
With the skin of my body
Pull it good and tight,
As taught as the head
Of a plaintive dirge drum

Place the whole lot of it
In the hole and cover it over
With a shovelful of mourning
And a fistful of yesterdays

They’re far superior to these
Rubrics of today’s fabrications and
Tomorrow’s rumors of
Trial-and-error pleasures

But sing to it softly,
As you cover it with fresh earth,
So it will feel less alone
As it communes in silence
With all the roots and rocks beneath

The gris-gris is not sealed
Until you etch the proper glyphs
Into the tablet of lead, and you
Speak the words over it, and then
Place it in the ground

But miss nothing about this,
It is not buried treasure
Make no maps, no monuments,
No markings on the calendar

It is only a sarcophagus,
The coffin of a scorpion
Who dreamed itself once
A bright pharaoh of the valley
But awoke screaming in the night
To the songs of its madness
And it crawled into itself
And there, ever, it remained

Listen now to the kettle,
How it raves and howls,
How it steals hot kisses
From the streetlights below,
And thumbs its raised nose
At wandering ghouls

There will be no snow this winter,
Only weeping glaciers

And the sea will be taking
Its out-of-time cues
From the heartless sun
Who is thankful for itself

The ferryman waits for me,
On the bank of the morning

His oar is readied
And impatiently thumping

It is time to go


©2024 Kevin Trent Boswell

Under Your Feet

Author’s Note: Yesterday, I learned that someone passed away in my apartment building (presumably within a day or so of when I heard about it). I had never met them and they hadn’t been living here long at all. Their death was apparently not unexpected; I was told that they were in poor health before they ever arrived here.

The weird thing is, they lived in the apartment right below mine. But stranger still, I had occupied that apartment myself, up until just a few months ago. When my current unit became available, I took the opportunity to move because it’s quieter on the top floor. While I don’t think I ever met the tenant, it was a brisk reminder that death is never far away.


Death is right under your feet
But try to put it out of your mind
There are chores to do and
Demands to meet
So, try putting it out of your mind

Death is coming up behind you
It is wise to not make a stink of it
Since you cannot stop it, and
There’s nothing you can do,
It’s best to try and not think of it

There beside you, Death hovers
I suggest you pretend not to notice
It will pounce on nervousness,
Any weakness it discovers,
So, just casually appear not to notice

It may approach you from any angle
You are bold, but Death is much bolder
You can tell it’s there by the cold, stale air
That envelopes your throat to strangle
Death patiently perches on your shoulder


©2024 Kevin Trent Boswell

not exactly dire

it’s pressing, I will admit, yes
and it was needed yesterday
however, it can wait,
if you’re short on time

a kiss and formal gesture to bless,
to take all the pain away,
to set everything straight,
and smooth out the rhyme

no one is used to getting
all that they want,
and most certainly not
in this economy

tea leaves, crystals, and bloodletting
a beg and a ruthless taunt
the emperor’s still got
his priests and astronomy

but you and I, the commoner type,
left only with crumbs and the crumble
of entropy and its effect on us
if we wait for it to sort itself out

or loudly, we may boldly gripe
with a roar, or at least a rumble
and let them feel our fuss
and threaten to do more than pout

and then, that which we release,
it falls from memory, and at last,
we clear the debris, and the way
and walk into the here and now

with a little squeeze and some grease,
we can break free and hold fast
and hear everything we have to say,
about the where, the when, and how


©2024 Kevin Trent Boswell

The poetry of Kevin Trent Boswell
The poetry of Kevin Trent Boswell

A Name and Little Else

A catalyst, dipped in fire, a belch
Memories serve as a match
Begging forgiveness, promising again;
The disease is certain to catch

On further reflection, please do not
Pretty please, say that you can’t
The idea of slightest, greatest, or middle
Causes a rage and a rant

It’s simply too much, and too little, by far
And none of it’s worth all the troub…
I can’t even begin, much less finish,
With an every-time-wrong-way rub

Let someone else have it; I do mean all
If it’s like that, the price is too steep
The smart is too short, the stink too wide,
And the stupid is just too deep

It thinks too little, too much, of itself
A fickle, passing wind, a decree
It tilts on stilts, and then, suddenly wilts
At nothing and all that you see

Throttle the speed, and down the shifter,
Or the shafter, or the hole, or whatever
Turn it away, and all that it offers,
Which is little and even less clever

For days are short hours; hours, too long
Months wasted on the beginning
But cutting it short and calling it quits,
One is afforded more winning

Then, years all stretch comfortably out,
All the tired heads nod to agree
The minutes are sweeter; decades, too
And everything is as it should be


©2024 Kevin Trent Boswell

The poetry of Kevin Trent Boswell
Oops, I dropped the picture.

locus

weighted dice spilling from broken jaws

tainted allegories and
flawless renderings of the invisible

dry beans pour out of sacks
onto tables of diamond and ivory

an abacus of emeralds,
strung on strands of horsehair

a tiny pewter coin sits
atop a scale of solid silver
resting on a column of solid gold

pristine smudges of chocolate
on acrylic peanut butter tapestries

buckets full of comets kicked over
and showers of sparks
falling on the floor

it’s enough to fill
the silos of the universe
top to bottom

but is it enough?

each individual grain of sand
grates against another;
all are dutifully counted

the hourglass is emptied
of all its inexorable empires

excuses are forged from breath,
and hammered into the sacred elixir
of nothingness

there is no motion
in this river’s torrent

the asphalt streets stole it all,
sold it to capricious eels
who swim in desperate candlelight

germinating helixes
bristling thorn vines

funneling promising poisons
into the infant mouths
of ageless behemoths
who rule small places

culmination is the beginning
of the termination of endings
and the siphoning off
of all the intermittent middle bits,
the ones that,
as an afterthought,
we tacked onto the ends
in carefully coordinated haste

the endeavor,
doomed from the outset

thank goodness
we never embarked upon the journey
and that we saw it through
all the way to the end

we can scarcely contain ourselves
from raving about
what raucous ecstatic bliss
it was, from the pistol start
to the razored end

steal the serpent’s fangs

replace its venom
with politesse
and useless smalltalk

watch giddily
as it pathetically
gnaws and gums
unproductively at its prey

we dare not speak
of our elusive mysteries,
not to the droll, sour, uninitiated brood,
lest they discover our secret formula
of beginning in the middle
and ending at the front part
of the second third half
of each hind quarter,
but only on Thursdays,
except on leap years of an august May

the excitement would surely
be too much for their frail constitutions,
and over dead, they would drop down,
into new incarnations
of ceaseless wonder

and when, if so,
would any of it
ever cease?

take care,
that none of this ever occurs,
except for those precious few times
that it unavoidably does not

dial back
the wilting clock
and try not to
try again


©2024 Kevin Trent Boswell

The music and poetry of Kevin Trent Boswell.jpg