tainted allegories and flawless renderings of the invisible
dry beans pour out of sacks onto tables of diamond and ivory
an abacus of emeralds, strung on strands of horsehair
a tiny pewter coin sits atop a scale of solid silver resting on a column of solid gold
pristine smudges of chocolate on acrylic peanut butter tapestries
buckets full of comets kicked over and showers of sparks falling on the floor
it’s enough to fill the silos of the universe top to bottom
but is it enough?
each individual grain of sand grates against another; all are dutifully counted
the hourglass is emptied of all its inexorable empires
excuses are forged from breath, and hammered into the sacred elixir of nothingness
there is no motion in this river’s torrent
the asphalt streets stole it all, sold it to capricious eels who swim in desperate candlelight
germinating helixes bristling thorn vines
funneling promising poisons into the infant mouths of ageless behemoths who rule small places
culmination is the beginning of the termination of endings and the siphoning off of all the intermittent middle bits, the ones that, as an afterthought, we tacked onto the ends in carefully coordinated haste
the endeavor, doomed from the outset
thank goodness we never embarked upon the journey and that we saw it through all the way to the end
we can scarcely contain ourselves from raving about what raucous ecstatic bliss it was, from the pistol start to the razored end
steal the serpent’s fangs
replace its venom with politesse and useless smalltalk
watch giddily as it pathetically gnaws and gums unproductively at its prey
we dare not speak of our elusive mysteries, not to the droll, sour, uninitiated brood, lest they discover our secret formula of beginning in the middle and ending at the front part of the second third half of each hind quarter, but only on Thursdays, except on leap years of an august May
the excitement would surely be too much for their frail constitutions, and over dead, they would drop down, into new incarnations of ceaseless wonder
and when, if so, would any of it ever cease?
take care, that none of this ever occurs, except for those precious few times that it unavoidably does not
dial back the wilting clock and try not to try again
a crisp vertigo has bitch-slapped me right out of my seat, and taken my place at the table
how is it that one can be gun-shy and trigger-happy, at the same time?
these lesser mysteries fall pale and sickly, into the dim, sour heat of winter’s chamberpot
fasten a few severed limbs to your Christmas wreath, and sing that classic advertising jingle once more; it does so warm the hearts of the masses
put a few coppers into the wooden collection box to help the neighborhood children raise enough funds to burn down the old cathedral, and replace it with a house of mirrors
it’s a good cause
or, at least, it’s one that they’ll never write songs about, and hence, we’ll never have to listen to them singing
you scrunch up your brow and wonder, with a new brand of vexation, what is this peculiar dip you’ve been invited to plunge your nacho poker chips into?
it is gray with fear, it cringes and recoils when you move towards it
and, what’s more, it reeks of both vinegar and victory
a blind man sidles up next to you and tugs at your coat sleeve, saying “I’ve seen this movie. Trust me, you won’t like it, either.”
the cat has dragged home, and ceremonially draped, a hippopotamus across your threshold
it is more than a little incensed that you show no appreciation for its generosity
fickle creatures, all of us
more inscrutable nightmares, injected straight into the jugular
night wipes the sweat from its brow, takes another shot of whiskey, and motions disapprovingly toward the calendar on the wall
the constable slurs an order to the lieutenant on duty, who promptly douses the wall with gasoline, and sets the calendar ablaze
before exiting, he salutes, and cheerfully says, “No worries, sir. We’ll have a new one nailed up in time for the New Year’s festivities.”
all the stops have been ripped out from the church organ
now, it will do little more than blow bubbles, and coo sinister, atonal choruses of “Hail to the Chief,” “Ring Around the Rosie,” and “Tiptoe Through the Tulips”
“Ashes, ashes…”
we are always falling down
it has been said that there are worse things than you
still, it is truly impossible to know, and difficult to imagine, where such monsters could possibly exist