healing – Page 2 – Kevin Trent Boswell

Half

No point in trying, we see the impossible
Eighty percent are chopped in two
Everything we ever did was all wrong
Nothing that we were taught was true

It’s no use to refine or reach out
Nothing is left in the bin to sort
We can’t be two halves of a whole
The ball is always dragged into court

Years of digging, chasing the veins
To find the heart, a center, a core
But emptiness only weaves and bobs
Ducks out and fucks off to explore

Half of us cut in half by the clock
Cold butcher knife calendar cleave
Constantly screaming we’re wrong
We load, we chamber, and leave

Downstream

The merciful tyrant
Unwittingly enslaves himself
Head chained to a stone,
A fraction of an inch
Above the grinding wheel

Sweat pours off the brow,
Enough to fill an empty chalice,
The kind of cup that one might
Craft by hand, and set apart
Solely for use in special feasts,
Feasts that never took place
Except in the mind

A mind that now rots
Inside a bone cell,
Cuffed by steel bands
To a stone tablet,
Where it struggles to
Hold itself up,
Away from the wheel,
Less than a tired wink of sleep
Below

How it all occurred is
A promethean comedy of errors

An artificial notion became planning;
Plans inched stealthily forward,
Advancing toward schemes,
Where the schemes beget a clusterfuck,
And the clusterfuck exploded
Into a bucket of shit and
A bathtub of tears

I have wasted the infinite scream

That spectacular spectacle
Of standing above the relenting chasm,
In the assumption of a god form
And a triumphant rush of endorphins

Being full of such arrogance
As to declare oneself a great thing

It is but the backsplash
Of crashing waves,
The backdraft of a conflagration,
The hammer claw that slips carelessly
Off of the head of the nail, and
Slaps back hard into the face of
The one who holds the hammer,
The swirlies of high school bullies

Proverbial pissing
Into a primordial storm

Hubris, personified

The Devil laughs hardest
At we mortals
Who merely dabble
In part time blasphemy

He is quick to show us
Who invented the game,
And who we should call “El Jefe”

His pool cue is the stolen staff of Moses

He chalks it with dust
From the tombs of martyrs

He runs the table every time,
Right from the break

Casually leans back and smiles,
Lights a cigarette, and
Does his best Marlon Brando,

“Rack ‘em up, boys. Double or nothin’.”

Cut It Out

Cut it out of the sternum
And place it on the altar

I no longer want it,
This bitter heart
In my mouth

A locked chest full of feathers,
Little lockets and silvery trinkets,
Walking sticks and reeds of bamboo,
Straps of leather and heavy chains,
Strange wires and clockworks,
Flowers of unusual, grand, noble gestures,
The teeth of pirates, the entrails of kings,
And the bones of beached sharks,
Now too frail to feed

The carpet needed
A little splash
Of red, anyway

You know, just a little something extra
To accent the curtains

The dusk and the music box
Both wait in the corner
To spit fire and agony
Into the flesh of the evening

Surrender to the waves

The waves were always wiser

They always kept moving,
Never weighing themselves down

Fight off all of those
Ridiculous impulses,
Provocateur pushes
To the edge of another,
Another one of those nothings,
Exactly like all the ones
That come night after night

Resist the pulse,
The catalyst incentives
To do yet more stupid things,
Stupid things like breathing

Sew this dumb mouth shut
With a spool of black thread
Stolen from the undertaker’s
Trench coat pocket

Do it before all of those sounds
Escape

All those sweet, garbled mysteries
That fell into it while I was drunk
On her flesh

And still foolish enough
To believe I was alive

Capture them in stitches
With the Devil’s dried-up veins
And a needle of blackthorn

Line the casket with
Old newspapers

And line the birdcage
With red silk

Pour me a bowl of stone gravel
And a ladleful of sour milk

Plug my ears with wax,
While they are still full
Of her laughter

The ancient cathedral
Has more than enough novenas,
And indeed, the blind priest,
He will not miss just one

Pull out these bloody eyes
With spoons made for ice cream

And press them both tightly
Between the pages
Of an old book of secrets

Here, they’ll be safe,
And spared the pain
Of seeing

Stuff the eye sockets full
Of meaningless words

Wrap it all up, and
Place it all in a box
A box made of yew,
And cedar and cypress

Then, nail it shut with
Rail spikes of iron,
Hammer them in tightly
With the skull of a ram

Stretch it over completely
With the skin of my body
Pull it good and tight,
As taught as the head
Of a plaintive dirge drum

Place the whole lot of it
In the hole and cover it over
With a shovelful of mourning
And a fistful of yesterdays

They’re far superior to these
Rubrics of today’s fabrications and
Tomorrow’s rumors of
Trial-and-error pleasures

But sing to it softly,
As you cover it with fresh earth,
So it will feel less alone
As it communes in silence
With all the roots and rocks beneath

The gris-gris is not sealed
Until you etch the proper glyphs
Into the tablet of lead, and you
Speak the words over it, and then
Place it in the ground

But miss nothing about this,
It is not buried treasure
Make no maps, no monuments,
No markings on the calendar

It is only a sarcophagus,
The coffin of a scorpion
Who dreamed itself once
A bright pharaoh of the valley
But awoke screaming in the night
To the songs of its madness
And it crawled into itself
And there, ever, it remained

Listen now to the kettle,
How it raves and howls,
How it steals hot kisses
From the streetlights below,
And thumbs its raised nose
At wandering ghouls

There will be no snow this winter,
Only weeping glaciers

And the sea will be taking
Its out-of-time cues
From the heartless sun
Who is thankful for itself

The ferryman waits for me,
On the bank of the morning

His oar is readied
And impatiently thumping

It is time to go

Zing, Pow

Nothing stings in quite the same way
As when you sting yourself
Forgetting the purpose of your boundaries
Casually placing them up on the shelf

You had them in hand for a good reason
And that good reason, you’ve still got
Once you remember why you need them
You’ll marvel at how you forgot

Area 25 by Trent Boswell — Available on iTunes, Spotify, Amazon Music, and more

stain

In loving memory of Jevon Ward

he was speaking vodka,
a language that I understood
all-too-well

as I sat on the edge of his bed,
I handed him the joint
that I had just finished
carefully rolling

he lit it, and taking a small toke,
became suddenly
and uncharacteristically
serious

“You do know that I’m not life, right?”

it must have been obvious
that I had no clue
how to answer that,
so he continued,

“When I was just a little boy,
“your grandpa (and mine) told me,
“he said,

‘Son, you’ll pull time before you hit twenty.’

“At nineteen, I did six months.”

before he could say another word,
drunk people spilled into the room
and the party took over

it was as if the writer
of this dark comedy of errors
had carefully placed
the interruption into the script
for dramatic effect

years later,
I stood in the yard
with my father
one morning

we burned a mattress
in the yard

a mattress with
a peculiar red stain
on the top end of it,
right about where a man
would lay his head down
to sleep

smoke climbed high,
snaking its way through
the bare tree branches,
coating the limbs,
blackening the sun,
giving twisted new meaning
to the wind

with each searing crackle,
each hot little iron
that launched out of the flames,
the notion was solidified
that you would never be
with us again

the red stain
is forever removed,
taken off and away
from the bad blend of cotton
and synthetic fiber

its ugly lack of aesthetic,
permanently removed
from the eye

we have, instead,
embroidered you
into our hearts,
in gold-letter
on satin

a little redirection,
a simple trick
of the firelight
and the mind

a touch of
pre-approved manipulation,
vocabulary and memory,
now twisted
to suit ourselves
with semblances
of sanity

and you, all dressed up,
looking dapper
in a new suit

something to
bring you over
the threshold
in style

we have gathered
many flowers

you were one of them

now, on this rainy Saturday,
we gather more,
but none of them are as rare
or as interesting as you

still, we do so wish
that you were not so

still

now, we are all
so much more careful
with our words

we never had to
monitor our tongues before

we always counted on you
to say something
deliciously profane,
hysterical, sublime

you said things far more terrible
than we could ever manage
(or dare) to bring forth
from our fearful mouths

you said it all for us,
you, being our favorite devil,
you spared no words,
knowing full well that your time
was short

now, everything is
serious and sullen

ash settles on us,
stealing the still-warm
seat of smiles

we do our best
to preserve the integrity
of your memory

with all our words,
so clumsily polite and wrong

yours were so horribly accurate

your list of faults could fill volumes

all of these,
now consumed by fire
and forgetfulness

we will not miss them

we are, in fact, glad
to be free of these;
free from the weight
of your awful acuity

your spiteful condemnation
of this earth was always felt
hot upon our necks

even your parting words of
“Fuck this world!”
were a vicious pronouncement
of a pox on all our houses

that seething sentiment,
ever-present,
laced into the mix
of the cocktail that was you;
virtually indistinguishable
from the indiscriminate joy
of your cosmic jester voice
pouring out over our
wanting brains

we will not miss the
chaos of your actions,
or your allegiance to
an autocratic indifference

we only miss

everything else

but beneath all of the
intolerable heavy,

knowing of nothing else to do…

we dutifully
lift our eyes
to the coming days
where you
are not

if only a touch

it would’ve, or it might’ve,
it is difficult to say
the new facts, in light of,
how—twisting, each way—

they seem not to concur,
nor wholly to dismiss;
but, shrug a goodnight slur,
a bemused hello kiss

extraction of sentiment
necessarily attune
a backhanded compliment
strange blessings, a rune

angles, each direction
never settles, the dust
on overdrive, protection
on the pause button, rust

clasp delicate choker
diver’s helmet attire
never skilled at poker
far too good a liar

went all the way down,
where there isn’t very much,
but invisible frown,
and meaningless touch

The music and poetry of Kevin Trent Boswell

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