Winding through the wild witchery, tripping headlong into tribal trance… follow the wise serpent into the netherworld.
Another bizarre, bombastic track from the electronic music album, Crossing the Rubicon.
The video is live on YouTube for all to enjoy but only patrons can download the audio track for this auditory initiation into the æther.
Tribal drums, layering slowly, steadily, methodically atop one another, just as the a snake winds itself into coils.
Haunting, aboriginal howls from the deep belly of the shamanic didgeridoo. Slip on into the prehistoric pool, the temperature of the primordial soup is just fine.
Patrons can access the .mp3 audio file of this track on Patreon.
You might have heard the audio track but the video is an entirely different kind of experience.
“Strange Leaf” by Kevin Trent Boswell.
This world has been encoded for your protection. The original poem, “Strange Leaf” is published in the book title, remission, available on Amazon and at Conjure Work.
The audio track for “Strange Leaf” is available as a free download at the Patreon page, Magus72.
While you’re there, look over the benefits and perks that patrons get, exclusive content and lots of other bonuses.
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Beat – from Dark Matter, Poems of Horror and Depravity
It’s been set to a beat, so that your strange æons might be somehow just a touch more symmetrical in nature.
The .mp3 file is attached, feel free to download it and share with anyone you like. Just click the DOWNLOAD button below, to play the track. Or hold the button down and select your SAVE option.
Nameless, black Void and choice-less Surrendered to night, Full of dark Wanting nothing, Now all is empty Free to take up any chain Any desire that one might wish for No desire, no restriction No thirst for servitude There is only the vexing slumber Hunger for the fat of a new kill Is somehow become as a stranger Wandering, wanton hex A nubile delving into psionic prisms Load the chamber With hollow shells of the dead Projected visions of delirium Angelic chasms Frightful clamoring in the cranium Call back the dogs And let them sleep For the dawn will soon enough Overtake their prey That tender light, shredding matter Rending garment and flesh Quite succinctly No need of drummers To time the pulse of this tune The rhythm of it, A vacillating pendulum Lo, it is even without the ability To stray from its precision The striker upon the cylinder Is the pointing, bony finger of The hand of Death, Herself The hammer that clangs the bell Is the Mother of Night, incarnate The femurs of a thousand heroes Beating against the tanned hides Of the children of the same Her crooked digit, A culminating of perpetual cycle… Stick meets skin, head warps and Sound emanates through eternity Stick meets skin, head warps and Sound emanates through eternity Stick meets skin, head warps and Sound emanates through eternity A beat all too well pounded into the Collective memory Burned into a hive mind Fallen into cerebral pits of “Never before” We have at last, found the true past It is even more horrid and shameful Than we feared It is full of monsters It is full of us
Copyright 2021 Kevin Trent Boswell
If you dig this particular brand of madness, you’ll want to support the creation of it and get lots of bonuses that aren’t available here or anywhere else, over on Patreon:
Only one beast in all of creation Only one which is anywhere known Finds pleasure, perverse, even vocation Unnecessarily harming its own
Of nature’s many carnivorous creatures A vast array of poisons appear Murder is common among their features Motives of territory, status and fear
Death was here from the earliest days Primal defense and sexual stuff Animals kill in a whole slew of ways But only one just can’t get enough
Horrific numbers and manners of killing In the “most-evolved” is hate diagnosed Not hungry or scared, finds it all thrilling Only one, to true evil, the host
Complex schemes arise in one beast Thrives on misery, whenever it can Though many kill, to say the least The most murderous critter is man
If you like bands like Queens of the Stone Age, Jane’s Addiction, Jimi Hendrix or The Mars Volta, then you’ll probably dig this.
This is a brand new recording of the song that I wrote many years ago but never had a chance to record it until now. I’ve played it live with my band quite a few times but unfortunately, we never caught it on tape.
I’m playing the bass and guitar parts and singing. Everything that you hear on this track is me, except for the drums. That’s because I don’t have access to a live drummer right now. Besides, feeding and caring for a wild animal like that is expensive.
Here’s the full video on YouTube. Don’t forget to hit the thumbs up 👍 subscribe ✅ and the notifications bell 🔔
The song is called blind in the sun and the lyrics are below. Originally, it was a poem and I set it to music (hence the Roman numerals in the lyrics).
The .mp3 file is attached to my Patreon page, so you can go there, download it (for free) and play it whenever you want.
I forget sometimes that people don’t always follow my rather eccentric, artistic choices, so I will explain something about this track. I purposefully chose not to clean up the sloppier guitar licks on this track, because it’s the feel that I was going for… teetering on the edge of the abyss.
Going back and punching in smoother, cleaner guitar parts is easy enough. I just didn’t want ’em, not for this. I’ll mention two songs that inspired my playing on this. One is “God”, by Tori Amos. Her guitar player is way better than he sounds on that track. It’s dirty, gritty and foul, for a reason. The song is about existential angst and the loss of faith, so it’s gotta be grimy.
The other is “Come On (Let The Good Times Roll)” by The Jimi Hendrix Experience. On that song, he does what jazz musicians refer to as “going outside”, meaning that he lets his solos wander just a little bit out of time and out of key, on purpose. Of course, he brings it back in or it wouldn’t be interesting. I chose to step outside on this track but hopefully not too much.
Feel free to share the link to this page or the Patreon page, or the YouTube link on your social media, that’s the best form of advertising there is for underground artists. I thank you in advance. Enjoy!
Just click that big, unwieldy link, below, to listen to the track. Or go to the Patreon page. You can download the song from the Patreon page and have it for your very own. Just don’t forget to water it every few days and never feed it after midnight.
Blind in the Sun⠀ Can you cringe beneath The shadow of a fly? You’d better try Running ‘cross the sand Fire in the hearts of your band In the joy of being alive Stripped of delusion And so forwardly stride
Lost in the garden with canonized illusions There are the keepers Of the tower But I am not a member Of the dark December The light of the sun refracts In my eye
II.
Everything is water Electric fluid matter In a paper cup Called Time
III.
Somewhere in the North There are real vampires I know you go to visit From time to time To roll in the stench The decadence of Thirst for blood To dine with a pack Of wild gods
I have no intent Of adopting your bent; Partying down with the devil On your shoulder
I have no intent Of going where you went Beating on a skull In a hellish midnight circle
But who am I to say? That you are not ok? I will simply stay Behind
This piece is new and is part of a book that I’m working on, called one pass by. The theme is one trip of the Moon through the lunar cycle.
The Moon is the protagonist of each poem, speaking directly to the reader or just thinking out loud. These are musings about the moods and experiences that come up each month, as Luna aspects the other planetary bodies in our solar system.
Our moon travels around the entire ecliptic (faster than any of the other, traditional planets) in roughly 29 days. That means She regularly conjoins (meets) all the other Planets, as well as forming what astrology calls aspects with them, such as sextile, square, trine and opposition.
Each of these angles prompts a different type of energy. Making sense of how these aspects affects us is a big part of what serious astrologers do.
In astrology, the word planet comes from the Greek, meaning “wanderer”. So yes, the Sun (Sol) and the Moon (Luna) are each a proper Planet (capitalized P for respect), even though they are not planets, in the astronomical sense.
In mythology, each of the Planets are ascribed as being the same energy or archetype of a particular God or Goddess. Our versions are named after the Roman Deities and correspond quite closely to their Greek counterparts.
In essence, these poems are the Goddess Luna, on her usual, monthly travels around Earth and Sol, the Sun. She’s talking about Her experiences with each of them, telling us the story of what can usually be expected, when She bumps into the other Gods in some way.
Each piece is written in lowercase, including the proper names, such as Saturn and Jupiter. This is a stylistic choice and nothing else. I probably read too much e.e. cummings and I’m just plain weird like that.
People who understand basic astrology will probably get a deeper meaning of each piece but they written simply enough that people with no astrological background can still get the gist of what’s happening and follow the stories.
The Moon is representative of many things and the easiest of these to grasp right away is emotions. Where the Moon is and how She is interacting with the other bodies out there determines a huge amount of what wee feel, collectively and individually.
This piece is about when Luna occupies the same bit of space as the Planet Saturn, who is the Lord of Time, restriction, boundaries, limitations, duty, architecture, crops (to some degree), geology, slavery and prisons. He also rules over contracts and institutions, especially in their more complex, bureaucratic and byzantine forms.
If you enjoy this and you want to see more of these produced, ha a look over the tier benefits on my Patreon page and become a patron, to support this work.
Kevin Trent Boswell 