avant-garde – Page 2 – Kevin Trent Boswell

honestly…

honestly,
the sun is full of razors

and, even if it’s embarrassing,
it’s still the gospel truth…
I used to collect amnesias,
but now, I’ve given all that up;
gave the whole set back
to her majesty, the queen

and now, there’s so much knowledge,
it won’t even fit on the milk cartons

but, the juice
is much more slippery,
on the other side of town

if we’re really telling all,
there are only sharks
in the sea

each bite,
delicious sadness,
if you must know

let’s be totally clear
about all of this,

we’ve grown far too close
to one another
to stop lying to ourselves, now

the party favor wasn’t punished
for passing itself around,
but for passing itself off
as a thing all nailed down

let your hairless cats hang loose, and
slip into something nauseating

it ruins the texture of the pudding,
if you don’t bleed it out just right

so, dish out the starchy,
fat parts of the story,
so you can
pick up a new one,
down at your favorite food truck

give it all away
before midnight,
and the fifth
is free

not to burst any bubbles,
but the snowman
isn’t actually
made of lunar cheese

and, all that rain is fake;
it’s really nothing more
than water

the consigliere is only guessing,
it’s all wild speculations;
hopes that no one will notice,
that they’ll all just play along

but, the wandering minstrel
has lost his will to lie down

and, the troubadour
is sharpening his boots
for the dance

on the level, I will tell you
that motor isn’t running,
only because it’s
all out of rocks and gum balls

if it’s time to get real,
then we must
suck it up
and finally admit,
all the Kewpie dolls
are dying in the streets

the cobbler is high again;
treatment didn’t take

the shoes are made of peaches,
the boats all made of pearls
and, the pears are getting fresh
with the sailors in the saloon

apricot dandies dancing
with apple cider cinder blocks
in the twilight of everything
that never happened
thrice

rehearsing old headlines
for all the latest,
breaking news

the oysters
are all full of
shotgun pellets

all the nails are soggy,
and the slugs are too tall

every day is
carte blanche
ice cream, caviar, and
internal hemorrhaging

all the wild ponies
are stuffed with loose rainbows,
loose rainbows made of oil spills,
and sprinkles of leprosy

the attraction is purely chemical,
pure forever chemicals

today…

today was
full of
not dying

and a tentative
lucidity

the significance of this is
yet to be determined

it’s either a huge win,
or it is entirely meaningless,
or it’s the greatest loss
of the entire war,

or it’s wholly imaginary,
or it’s simply
yet to be
determined

all the bubbles
are busy blowing
away in the breezes

all the busy
are stuck,
spinning endlessly,
on the quick wash
unicycle

none of the etiquette
equates to
actual manners

no one’s manner equates

at least,
not to anything short of
mannerisms

the etiquette of mannequins

the ethics of plush toys;
plush toys on holiday,
plush toys that
can’t be bothered
with all your
insistence
on being
treated
as anything
more than
a plush toy

the horizon is full of paper cuts,
and old bandaids

all the drums squeak
when you hit them

each sip is dry,
and demands
yet another

if you’re walking into the furnace,
be sure to take a jacket with you,
so you don’t catch cold

every bottle you find
is full of three wishes,
someone else’s

none of the colors run;
they all stand their ground,
ready to fight you to the death

any of these knives
are sharp enough
to do the job,
just as long as
you don’t need to
cut anything

all these silk handkerchiefs
are perfectly safe;
not a single one of them
will have been harmed in the slightest,
after they’re done
strangling you

the factories are all
at maximum production,
cranking out empty picture frames
and invitations to dinner

the lists of new lists
seem to sit flush with eternity;
none of them complain,
and it takes a hot minute
to become accustomed
to the silence

every pile of shit
that you see here, on the ground,
they all taste like
chocolate and peanut butter;
trust me

this machine gun
is so much more
convenient
than air conditioning

if we’re speaking candidly,
then, you always
preferred hanging
your laundry
out to dry

there are no more puppies
but, we’re all stocked up on
ska music, instant polyps, and
disposable consciences

all the mountains shatter
when you step on them…
if we’re being totally honest

the days, all ripped up,
for tourniquet rags

the hours, shattering into dust,
if you so much as
glance at them sideways

each of these
marvelous things,
all made possible
by your presence

now, the hounds
will go without their supper,
and the king’s innards
will spill out at his feet,
there, on the palace floor

and all the poor children will cry,
because none of the salads
will ever be scrambled again

and the tumbleweeds
will all starve,
for want of the suffocation
you so graciously
bestowed upon them,
in the days gone by

none of the little assassins
will get Christmas cards this year,
despite having been such
good girls and boys

the coffee is full of conspiracy,
and the fish all taste like marshmallows

the sleet sings sweet lullabies,
in which there are no names

just between you and me,
and this scarecrow, here…

as long as we’re
shooting straight…

it’s terribly worrying
to think that
none of the boils will be
allowed to fester
and ripen in time
for the harvest

because you
will not be here
to feed them

it is tragic,
how much you will
be missed

the traffic
moves right along,
screaming its miseries
into the night

The music and poetry of Kevin Trent Boswell

remission, poetry by Kevin Trent Boswell — Available on Amazon

Area 25

The new album is available. It’s called Area 25.

Below, you’ll find links to get your copy, music videos from Area 25, plus the super-interesting, totally true, absolutely not made up backstory behind the album.

Area 25 - new music by Trent Boswell — The excellent cover art was generously provided by **Dorian Strange**.

Area 25 is available on…

Area 25 is also available on Napster and all the major music streaming services.

Follow the Trent Boswell page, Magus Music

Subscribe ☑️ to the Trent Boswell on YouTube

It really helps me out a lot when you give the videos a thumbs up 👍 leave a comment 💭 and share your favorites on your social media pages ♥️

Videos from Area 25

Unchanged

Into the Fold

Three Day Beard

Hopium Blues

Scorpio

Tact

War on Venus

I Wasn’t Using It

All Around

Upbeat Dance Number

We’re All Gonna Fade Away

At the Bottom

Mandala of Sand, Pt. 1

Trent Boswell Bio

Kevin Trent Boswell is a thing that once blinked briefly in and out of existence. It made noises and gestures while it lasted. The exact nature of its demise is unclear. Some sources say it collapsed beneath the weight of entropy and time. Other tertiary facts suggest the possibility that it was destroyed by a predator, an accident, or perhaps even by itself. The truth of the matter is unknown. Luckily, no one cares.

The Story Behind Area 25

Area 25 is a traveler’s atlas for navigating endless, winding caves, wormholes, cracks in reality, tears in the space-time continuum, black holes, abysmal hellscapes, and all of the most common types of bottomless pits that comprise the modern world.

The somber, dystopian audio guidebook is delivered over an eclectic musical soundtrack of rock, psychedelia, pop, funk, and dire expressions of poetic mental illness.

Area 25 is an exorcist’s manual for the perils of life on Earth for Homo sapiens. It catalogues the sundry catastrophes that plague the upright ape, namely those of poverty, depression, rejection of the tribe, and failed attempts at relationships, friendships, and spiritual endeavors.

Not for the faint of heart (nor the “feint” of heart), Area 25 is a dark, gritty, and gloomy telling of the myriad ways in which hominids undo themselves, rend each other asunder, and even casually rip apart their sole means of survival, the ecosystem in which they habitat. Odd beings, at best; horrible monsters, at worst.

Genesis

An ancient evil spirit was once trapped for centuries inside a dybbuk. Through the foolish mistake of some human, the demon escaped.

The ghoul found amusement in tormenting one particular human critter, who’s name was Trent Boswell. The tortures took shape by possessing the human with an inescapable obsession to create something called “Area 25.”

The demon wanted the brainless exploits of humans captured on record, so it would have something to laugh about, later; much like you might watch an episode of Seinfeld, even though you’ve already seen it several times.

The dark cruelty of this promethean ordeal rested in the fact that the human was entirely lacking the necessary resources for the production of a proper, commercially viable product. It was working only with a ten-year-old Macintosh computer, an old version of GarageBand, an inexpensive condenser mic, a FocusRite preamp, a cheap bass guitar, a pair of 3 1/2” monitors, and a nice Fender Stratocaster.

What the demon didn’t expect, is that the human would actually persist through said tribulations of substandard working conditions, and complete the project. Much to the demon’s surprise, the human finished the project, despite the lack of access to a professional recording studio, or the backing of a major record label.

The end result, a tabulation of human follies and foibles, will now provide the escaped beastie with comedic entertainment for the coming aeons, long after humans have disappeared from the planet; which should be anytime within the next couple of decades.

Score one for the infernal realm.

Magus72 on Patreon - the music, poetry, and madness of Kevin Trent Boswell — Magus72 on Patreon – the music, poetry, and madness of Kevin Trent Boswell

The Crockpot Cartel

This was a refreshingly positive experience. With every post I make on Instagram, I get hit up multiple times for paid promotions. It’s always a sleazy approach like “I love your stuff! Let’s work together!” even though you know they sent that message so fast, they couldn’t possibly have listened to the song.

This guy Bobby asked me on TikTok if he could review me on his show tonight. I said yes, but I was thinking, “Wait for it… he’s going to hit me with a dollar amount, a pay-to-play thing.” I don’t do those. But he didn’t ask for anything. He’s got a pretty intelligent approach to it, he offers pay-to-play, but also gives free plays and reviews, no questions asked.

A spin and review on The Crockpot Cartel Show

He played a few minutes of my song (the format is that each song gets roughly two minutes, so he can fit more into the show). He gave some kind feedback on it and all he asks is that viewers stay active in the chats, giving ratings for each song (he uses a 1-1,000 rating scale). Even though most of what got played was either hip hop or rap, he stayed open to other genres. My music is really different from everything else I heard tonight, but he gave it equal time and thoughtful consideration.

In the chats, it looks like people rated my tune anywhere from 600 to 1,000 with an average of maybe 800 or 900. One person said 2,000 but that’s not inside the range you’re supposed to use 🤷‍♂️🙃

I was pleased, especially since most of the people there were making hip hop music. He asked everyone to add constructive criticism to any songs that they rated low, and said no hating on anyone. The overall thing was a nice surprise for sure.

You can catch his show and submit your music for consideration at: Bobby Everything

New Album on June 8th

This album has the song on it that was reviewed in the show. The song is called “White Elephant.” You can watch the full video here:

Support

Get exclusive bonus material at Patreon

Full Moon Song

This is a song that I wrote in my early twenties but until now, no proper recording of it existed.

Trent Boswell – Full Moon Song

In the past year, I’ve learned several truckloads about “desktop music production” and how to get studio-quality recordings, using only my computer DAW (audio recording program) a basic, two input audio interface and a simple, Shure-58, dynamic microphone.

Also, I finally got a decent pair of studio monitors, so I can hear what is actually going on in the mix, without it being colored too much by the automatic tweaking of frequencies that is present in most speaker systems.

These factors combined, I’m now putting out recordings that are vastly superior to what I was producing last year. The latest material is sonically improved at least a couple hundred percent.

Lyrics

Sometimes I find out things about me
Just a little bit more than I’d ever want to know
Kind of put a damper on a real good mood
Just when I was sure I was on a roll

I was sure I was

In the face of greatness, we often feel small
Yeah, the Full Moon, she spits in my eye
And wouldn’t we all just love to know
Ooh, yeah… exactly why

I know I would

I look for answers in the other dimensions
I listen for stories that cannot be told
I seek someone to take my confessions
And if there is no one, then I want control

God knows, I could use some control

Control

If you could only see what I saw
You’d surely say that I’d lost my mind
But I know it’s true that all are one and one is all
I’ve seen it going on, all the time

Anyway you turn the question,
It cannot be answered
But anyway you turn the answer,
It cannot be questioned
I took a toothless profession in cancer
On a slighted word, best not to mention

No, no

And I look for answers in the other dimensions
I listen for stories that cannot be told
And I’ll do anything for direction
Anything short of sell my soul

If I’ve got one to bargain away

Away

from the album Something in the Air, by Trent Boswell, 2022

Something in the Air by Trent Boswell ©2022 Kevin Trent Boswell — Something in the Air – Music by Trent Boswell

Support for the Work

Support this work by becoming a patron and get perks like patrons-only releases, early access free music, poetry and other artistic goodies that help keep us from sliding into the abyss of modern commercialization of the arts.

Thank You

Special thanks to the following people for their video contributions:

Samphan Korwong https://instagram.com/kws636

Tact

This is another song that I wrote in my early twenties but it’s only now getting a proper recording.

https://youtu.be/jRSqwb3LqWs

Magus – Tact

Back Story

I played this tune with various bands over the years but we never got a usable recording, because they were usually done in dive bars with poor acoustics. There was no separation of the instruments, only the chaotic din of drunken idiots in the background.

I do still have the original, cassette demo that I recorded on a reel to reel tape machine. I no longer have that machine [insert sadness and woe, here] but I have the recording. It’s ok but it’s just guitar and vocals and covered in that old school, analog tape hiss.

This is a full treatment, with rhythm guitar, lead guitar, vocals, bass, all of which I’m doing. The lead guitar part is a first take improvisation. I’ve never played lead over this song before, because I was always busy playing the rhythm and singing the lead part.

Actually, I’d never even thought about what I’d want the lead guitar part to sound like, because keeping a band together was trouble enough to keep my mind thoroughly occupied. So, I just hit record and rolled with it. I’m pretty pleased with the result.

It’s also got drums and hand percussion, performed by Stinky the Robot drummer. I’ve got him trained pretty well at this point. He eats a small amount of electricity, sleeps in his little box and he only bites occasionally, now; I’ve even removed the shock collar.

It’s really one of the most simple, straightforward songs that I’ve ever written. There’s a main riff and a slight variation on it, toward the middle. Then, there’s the verse part, a two-measure figure that repeats, over and over.

There’s three, short verses, no chorus and no bridge. That’s because it was originally a poem and I had no desire to adapt the words, just to flesh out the musical bits.

The rhythm guitar part really emphasizes the drums and bass anyway, thus making it more of a groove tune than a standard, pop formula type of song. The lyrics take up only about the first third of it and the rest is just an excuse to do what musicians love to do… jam.

Lyrics

Pilgrimage to the mountain,
On through a hurricane
Going to pray for my family,
And for those who lay in the clay
I don’t know who will hear me
But I will cry on the wind
Grant me strength and compassion
Give me self-discipline

Oh, the pressure and the pride, now
They can split your skull
When your best ain’t enough, now
All you can do is let go
A thousand years’ wisdom
Will set it all straight
A fool’s minute will erase it
Ah, but that is the Way

I was tied to a tree
And whipped like a dog
It’s where I learned to be free
And to trust in God
In the center of the mountain
You will find a ring
When you wear that piece/peace
No man’s words will sting

Thank you!

Special thanks to my wonderful supporters on Patreon.

If you like what you hear and see, help me make more of my weird music, poetry and other, assorted types of madness, by becoming a patron today.

Patrons get early access, super neato, patrons-only content, music downloads, books, my undying love and backstage passes to the end of the world.

Magus - Kevin Trent Boswell on Patreon - Magus72 — Magus72 on Patreon

More special thanks, to the following for their video contributions:

As well as: Ivan Samkov, Mikhail Nilov, Joffray Jouve, Tima Miroshnichenko, Nitin Arya, Daniel Absi, Ron Lach, Timur Weber

Contact any of them about making a professional video or graphics for your next project. They deserve the work, as you can see.

White Elephant

Here’s the music video for my song White Elephant.

Collegiate Definition

White Elephant
noun

1: an Asian elephant of a pale color that is sometimes venerated in India, Sri Lanka, Thailand, and Myanmar
2a: a property requiring much care and expense and yielding little profit
b: an object no longer of value to its owner but of value to others
c: something of little or no value

If I’d known all of this, back then,
I’d have learned how to leave
Arguing for something
In which you never believed

Hidden beneath gifts and gestures
And a sexy smile
Promises of forever,
Dipped in poison and guile

“Nothing is wrong.”
A comforting lie you could sell
I vaguely recall something about
Good intentions in hell

The dark witch’s oracle warned,
I shouldn’t let you pass
I taught myself to trust your love
And it bit me in the ass

White elephant on the bed
Whispers softly
“Come hide in the silence
Of secrets and shadows, with me.”

Mocked me at every chance,
Made sure everyone heard
For cruelty such as this,
I’m not sure that I know the word

Revenge is ill-suited to love
And so, I decline
The idea that mercy is weakness
Is yours and not mine

The way you spit venom
At those who tried to help you
I’ve no need to raise my bitten hand,
Your destroyer is you

The dark witch’s oracle warned,
I shouldn’t let you pass
I taught myself to trust your love
And it bit me in the ass

White elephant on the bed
Whispers softly
“Come hide in the silence
Of secrets and shadows, with me.”

Support the creation of more music, poetry and madness by Trent Boswell, at:

Special thanks to the following people for providing the video footage and photos. If you enjoyed the visual aspects of the video, the credit is all theirs.