a poem unworthy of a name

emptiness strode in
and took the place of fullness

redirection and symbolism
flailed like untrained children,
beating each other with
soft, half-balled-up fists;
fists that were incapable
of accurate aim

there was little violence, many tears

still, it was less comical
and more sad

the end result of
all of this
is nothing more than
emptiness

I am not there,
nor are you,
nor is anything,
nor is anyone else

it is all full
of nothingness
now

and anyone who
can look at this mess
and say that there’s anything
good about it

that’s someone who needs
to have all their teeth
knocked out of their mouth

now
it is all full
of nothingness


©2024 Kevin Trent Boswell


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Magus72 on Patreon - the music, poetry, and madness of Kevin Trent Boswell

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The music and poetry of Kevin Trent Boswell

The music and poetry of Kevin Trent Boswell



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if only a touch

it would’ve, or it might’ve,
it is difficult to say
the new facts, in light of,
how—twisting, each way—

they seem not to concur,
nor wholly to dismiss;
but, shrug a goodnight slur,
a bemused hello kiss

extraction of sentiment
necessarily attune
a backhanded compliment
strange blessings, a rune

angles, each direction
never settles, the dust
on overdrive, protection
on the pause button, rust

clasp delicate choker
diver’s helmet attire
never skilled at poker
far too good a liar

went all the way down,
where there isn’t very much,
but invisible frown,
and meaningless touch


©2024 Kevin Trent Boswell 


The music and poetry of Kevin Trent Boswell
The music and poetry of Kevin Trent Boswell

Magus72 on Patreon - the music, poetry, and madness of Kevin Trent Boswell

Magus72 on Patreon – the music, poetry, and madness of Kevin Trent Boswell

catch basin

everyone is bleeding

there aren’t enough buckets,
bowls, pitchers, empty bottles,
or old soup cans
to catch it all

it doesn’t matter
that you don’t see them bleeding

it doesn’t matter that most are
wearing clothes that aren’t stained

it doesn’t even matter
if many of them are smiling

because, they’re all
hemorrhaging

inside or out

every last one of them

especially the ones
who don’t know
they’re bleeding

most especially
the ones who
swear they’re not

there aren’t enough
doctors, nurses, or
old women with
needles and thread

to patch them all up

there aren’t enough mops,
sponges, towels, or old t-shirts
to soak it all up

we have come to accept
the state of things

we are goldfish

goldfish
who swim
in a bowl
of blood


©2024 Kevin Trent Boswell 


The music and poetry of Kevin Trent Boswell

The music and poetry of Kevin Trent Boswell 


Magus72 on Patreon - the music, poetry, and madness of Kevin Trent Boswell

Magus72 on Patreon – the music, poetry, and madness of Kevin Trent Boswell

mishegas

the ice is on fire
bumper car gridlock
in the house of eternal glaring mirrors

roller derby queens in the mosh pit

dire, splintered rose of morning,
flush from the recent triathlon,
scoops tainted blood
into the shoes of passersby,
snagging their throats
with treble hooks of laughter,
inappropriate sympathies,
and an unreasonable sense
of doubtful kinship

chuffed to be chaffed,
lampooned, stranded, laid bare,
out on the hard, white, diamond beach

all fat and blubbering;
every bit as distressed
as a snow covered bear trap,
whistling a lullaby

the panting team of dogs,
recovering from their labors
at the front end of the long sled,
lined with the tusks of sea lions,
the hides of wolves and polar bears,
full of provision pouches,
stuffed with the fat of seals,
the jerked meat of horses and sheep,
the oil of whale fat, lamps
with tinder, flint and steel,
maps and spyglass

come what may,
take all comers,
oh come, all ye
entirely too faithful
in thy selves
and thy surety

when the steps to the kingdom
are many, and fraught with
the myriad challenges of the pale rider

footfalls in the tundra are
rarely heard farther than a few links

panicked and labored breaths
go not much more than a perch

hysterical screams, pleas for help,
these fall under the brutal
gales of blustery winter,
after not more than a chain’s length

and, hope, that frail desert flower,
it seizes up in the fierce cold,
after but one or two barleycorns

the unhinged advice
of prairie-mad soothsayers,
tolling on, cracked bells,
silly, cocky and cockeyed songs
of ignoring advisory cautions

repentance, penance,
cold forgiveness,

touched in the head,
white-bearded archons,
flat on their backs and somehow
flush with the skyline

gossamer wisdoms,
stitched singly, haphazardly,
threaded with baby’s breath
and prideful schemes of humanity,
pining after such translucent
and diaphanous tales
as freedom and solidarity

thimbleful of knowledge,
bottomless well of thirst

finding servitude
at the feet of the hard,
white, glass god

coarse altars of lead,
chalcedony, hematite,
heliotrope, and smoky quartz

the spilled inner workings of
snow dusted pigeons,
drizzled over wreaths of holly,
mistletoe, and amaranth

peculiar characters,
etched into collar bones

sequences of numerals, names,
and pictographic metaphors
of violent inundation

it is sometimes possible
to pilot oneself spritely
through the tiny cracks
in the walls of elemental fortresses

although, it is necessary
to be infinitesimally small

slight enough to seep in
through the inconspicuous
spaces between nucleus,
proton, and electron

the guards there
demand steep tributes
of outlandish bribery

otherwise, they will allow
a foreigner to pass, unabated

most would-be breakers
of the firm law of covalent bonds
fail to remember the signs,
and passwords,

they perish in surprise,
taking the slow slide
down the fireman’s icicle pole,
expiring on tempered lengths
of bastard steel

tumbling down,
all Raggedy Ann,
on the intolerant,
vengeful Nordic coastline
of Hagalaz and Isa,
Hail and Ice,
the penalties of cruel Thuriaz

blisters are cells of memory,
connective synapses of
recollection, the mysteries of how
horses and fresh lambs drop,
all nimble and precocious,
right from their mothers wombs

this, while the purview of warriors,
kings and commoners,
despots and derelicts
is a nearly hobbled state
of tardy incapacitation

hamstrung, in tiny wooden prisons,
little more than strips of bark
and thick switches and kindling

captured, helpless,
in thatched barracks of straw,
bundles of linen, and
distracted into oblivion
by sparkling colors

lower beasts,
nearly ready for the long journey
at the first hour and breath

the armies of men,
stumbling along immense
assembly lines of careful speculation,
as with the construction
of ocean vessels and whole kingdoms

dashing to and fro, for a few
handfuls of fitful days,
and then, flopping down,
all useless and dead,
onto the ivory floor of cathedral,
lapsing into comatose stupidity,
before the misty-eyed gentry,
all aghast and agape
in their cemetery processions

garlands and banners,
horns, and other things,
all about as useful
and as sensible as
fistfuls of frozen rain,
hurled at bloodshot eyes,
in a farcical effort
to turn back the sun

casualties of winter
casual business,
and other synonyms for
meshuggeneh

there is nothing here,
except razor and concussion

there was little else,
before

there will be so very much more,
after all the pages in this calendar
finish collapsing,
and the scorpion chicks
hatch in the spring

Medusa’s brood,
arising from pockets
beneath the deep sea

haloed gypsy birds
dance ridiculous jigs
of rain summoning

the rain, overzealous,
violently stabs the messenger,
plucks out the beans
of its collaborators
and benefactors

every catapult
needs a good story
to tell at parties

it breaks the stalemate,
gets strangers to drop their cards
below line of sight; defenses,
all poesy fall down
in the fireplace
ready for the singeing,
jousting steer of the brutal,
searing poker, and throttled
by the iron callousness of
the black bands of weighty tongs

each extraneous, irrelevant heartbeat
flutters briskly through
the epistemic landscape,
with great and needless fanfare;
cones of pine, juniper, and spruce,
arriving, on schedule,
in crisp, popcorn condition,
and announcing their candidacy
to throngs of disinterested
piles of wanton ash
and charred corpses

even if the pellucid cloak
of the frigid undertaker was not
already draped unceremoniously
over the frozen casket,

the bleached fangs
of a ravenous, predatory spirit
of long forgotten murder
is already snapped
halfway through the femur

rigor makes it silent house call
and gets fussy when its tea isn’t ready,
or prepared just right

and it just so happens that…
all the tea fell into the fishing hole,
beside that steep ravine,
about three furlongs back

no one is
going back
to retrieve it

in point of fact,
no one is
going back

the infamous baby blues
of the orthodox reaper’s gaze
are nothing but fishwife tales,
windblown, fanciful stories
for the antsy sprats

no, only the empty chasms
of endless black sockets
are what comes to collect

it is pittance of a sacrifice of time
a brief stop off,
the breadth of a wink and a nod

the somber, noiseless driver
barely slows the funereal sleigh,
little more than a knot or two

just long enough to
drop off a carcass
to the butcher
at central weigh station
at the junction of nowhere
and anywhere

a nameless parcel drop point
in a never ending whiteout of
dusty white sepulchers of
bleached curtain stillness
naught, added, heaped upon
still more naught

waiting endlessly
at the barred gateway
above Davy Jones’s Locker,
that impenetrable doorway,
never to open, frozen fast
by an ancient curse,
cast by a race of creatures
who no longer dwell in these parts,
and hence, it cannot be undone
or broken

there is only stillness

there is only the
prone slumber of waiting
for the cessation of
that which ceaseth not

beneath the pallor of this
unsympathizing row
of colorless manacles,
fastened to illusory,
two-dimensional jailhouse walls,
wandering, listless,
between the vibrant universes
of the living and the
stale, crumbling patterns
of the unknown dead

there is the sled captain,
who stands high, at the whip,
and then, there are the dogs

there is the eternal fisherman,
and there is a lifeless stringer
of salmon flavored icicle pops,
trailing in the terminal waters,
behind Charon’s skiff

in between, nothing, torpor of wasteland

and, any trace of
once beautiful mystery,
now stripped away

laid bare
before all
and none,

no more
gray shades
of lingering doubt

as to which one
is which


©2024 Kevin Trent Boswell 


The music and poetry of Kevin Trent Boswell
The music and poetry of Kevin Trent Boswell 

Magus72 on Patreon - the music, poetry, and madness of Kevin Trent Boswell
Magus72 on Patreon – the music, poetry, and madness of Kevin Trent Boswell

The Ghost of Tom Joad

guitar, bass, and vocals by Trent Boswell

Late last year, I moved to Portland, Oregon. It’s a wonderfully weird place. The locals actually say, “Keep Portland weird.” There’s a large mural of that saying, somewhere in the city. Everything about this place is quirky, eccentric, and hence, I should fit in here, just fine.

I also started a new job. I’m working in the mental health field. No, I’m not a doctor, therapist, and definitely not a psychiatrist. I just work for a company that trains us to assist people who have one or more mental health diagnoses, addiction problems, or who have lived on the streets, but are now in reliable housing, provided by the state. It’s a good gig. I get paid well, to help the people who really need help the most.

On Friday night, it started snowing, the temperatures were bottoming out as low as 18°F. That’s well below freezing, and it doesn’t even account for the windchill factor.

The other, less positive side of Portland, is that the homelessness crisis here is really bad. It’s almost impossible to go anywhere without seeing at least one car, RV, tent, or lean-to type shelter that someone is using to live in.

I first discovered this song from the band Junip. When I realized that it’s a cover of Bruce Springsteen, I found the original, and loved it, too.

This morning, it’s so cold outside, that neither my dog nor myself want to go outside any longer than is absolutely necessary. But, there are people out there, living in tents and sleeping bags.

I woke up to this song playing, I had left my phone on shuffle all night to help me sleep. I listened to it, looked at the weather, then became obsessed.

I’d never played this song before, but I learned it, then I recorded all the guitar and bass parts, and sang the vocal, and recorded it, and mixed it. Basically my whole Sunday went into this.

I plan to make a video for it, but I wanted to get this out, because I worked on it nonstop all day.

The Ghost of Tom Joad

Men walkin’ ‘long the railroad tracks
Goin’ someplace there’s no goin’ back
Highway patrol choppers
Comin’ up over the ridge
Hot soup on a campfire under the bridge

Shelter line stretchin’ ’round the corner
Welcome to the new world order
Families sleepin’ in their cars in the Southwest,
No home no job no peace no rest

The highway is alive tonight
But nobody’s kiddin’ nobody
About where it goes
I’m sittin’ down here in the campfire light Searchin’ for the ghost of Tom Joad

He pulls a prayer book out of his sleeping bag Preacher lights up a butt and takes a drag
Waitin’ for when the last shall be first, and
The first shall be last
In a cardboard box ‘neath the underpass

Got a one­way ticket to the promised land
You got a hole in your belly and gun in your hand Sleeping on a pillow of solid rock
Bathin’ in the city aqueduct

The highway is alive tonight
Where it’s headed everybody knows
I’m sittin’ down here in the campfire light
Waitin’ on the ghost of Tom Joad

Now Tom said,
“Mom, wherever there’s a cop beatin’ a guy
“The Ghost Of Tom Joad” lyrics
Wherever a hungry newborn baby cries
Where there’s a fight ‘gainst the blood and
Hatred in the air Look for me Mom I’ll be there

“Wherever there’s somebody fightin’
For a place to stand
Or decent job or a helpin’ hand
Wherever somebody’s strugglin’ to be free
Look in their eyes Mom you’ll see me.”

Well the highway is alive tonight
But nobody’s kiddin’ nobody
About where it goes
I’m sittin’ down here in the campfire light
With the ghost of old Tom Joad


Words and music by Bruce Springsteen

the fishy word salad of the day is soup

i.

discount buggers,
sitting too short in the saddle
to catch any light

but, far too tall
to be dead things,
since dead things
don’t sit tall in saddles

not quite full-fledged maniacs,
lacking in the forthright candor
of more honest lunatics

mockeries of invisible garbage

pieces you can’t quite sort
from all the other forgeries

ii.

the easiest lie to tell
is always the one
that was undisputed,
when you told it
to yourself

iii.

broken pieces
of education,
peppered liberally
over a plate of
wishful thinking

half-truths,
fractions of wisdom

chicken scratch cheat sheets
in secret breast pockets

decency spent
far too many wasted evenings
trying to shape a pile of vomit
into a snow angel

but, the toothpaste is already out of
the inner tube

besides, the inner tubes
are all useless now;

the tires were all stolen months ago

there is no sculpting
dour secular emptiness
into glorious, golden cathedrals

one does not simply turn
recidivistic destroyers
into genius inventor candy makers,
acrobatic violinist movie stars,
or unicorn blacksmith ballerinas

thespians of the eternal grift,
they have no thirst or pallet
for love stories,
only tragedy
and horror

it is exceedingly difficult
to shape small piles of
deformed turd nuggets
into the colossus

the thing is…
if you put a hat
over a turd…
no one sees a turd;
they just see a hat

and, god help
the poor bastard who
tries to put it on

sprinkle a big pile of rose petals
right over top of the whole thing,
and you won’t even smell it

but it’s still there

iv.

it’s really not important,
what I’m going on about

probably better if you just
take a nap
through the rest of this

v.

if the impressive would stop
trying to elevate the unimpressive
then, they’d be more impressive

if they’d stop trying to
raise the dead,
it would be very impressed, indeed

if the unimpressive
would stop trying to
decimate the impressive,
they’d already be half the way
towards making a
positive impression

but, none of this
is due to change

vi.

seven in the side pocket?
my ass

there are four in this room
who can make that shot,
and you ain’t one of ’em

like I said, it really doesn’t matter
what I am babbling about

go back to sleep

or better yet…

there’s a small slip of paper,
rolled up around a dull pencil;
it’s not a number two pencil,
but rather, one of those
no-name brands

it’s in the top right drawer
of that bureau over there

it’s held in place on the pencil
by a rubber band

it’s underneath a pile of
old letters and yellowing catalogs

go open the desk drawer,
remove the stacks of papers, and
pick up the pencil

remove the rubber band,
unroll the little slip of paper
from off of the pencil, and unfold it

what’s it say?

that’s right,
it says,

“Fuck you.”

no, that’s okay,
you can keep it;
it’s yours

take it with you,
and share it with
the rest of your kin,

all the other
black holes

the liars, fakers, pretenders,
predators, thieves, naggers,
reality-twisters, dream-stealers,
complainers and haters,
would-be conquerers
of insignificant kingdoms

fighting razor tooth fang nail claw
over the right to wear a crown
made out of rusty wire coat hangers

or, a tiara crafted from zip ties,
and tinsel from
last year’s Christmas tree

two-legged, toothless dogs,
gumming each other to death
over rotten meat

the unintelligent,
masquerading as geniuses

half-geniuses and quarter-geniuses,
unintelligently masquerading as…
well, who really cares?

the impolite, leaning
on the good manners
of those who are too kind
to tell you the hot, vibrant,
fundamental truth

which is,
that you are
fundamentally
without truth,
or heat, or vibrance

I, on the other hand,
have misplaced all of my politesse,
and have no qualms about
sharing these things with you

I don’t recall which drawer
I left my good manners in,
or what I wrapped around them


but, I can tell you,
with great certainty,
that I’ve had
more than my fill
of the full measure
of you

I can
tell you
what you
can go get
wrapped around

vii.

the steely, red-hot poker of murder
in your eyes
is only a compliment to me

I would be perturbed, ashamed,
if you approved of me

I have no love for your kind

the secret whisperers, rumor starters,
terminally restless luddites
who shun such newfangled,
diabolical technologies as
empathy and dedication
to things other than self

nonconsensual emotional sadists,
pullers of wings from houseflies,
slayers of fierce dragons, or rather
harmless dragonflies

you are all that is ugly
in a world that was already
teeming with ugliness

busybody breakers of
other people’s toys,
ensnarers of time,
ambuscaders,
ambushers of vitality

there isn’t a pencil
on the whole planet
that’s dull enough
to write your little
shit story

there aren’t enough
rubber bands, twist ties, handcuffs,
thumb cuffs, shoestrings, or nets
on Earth to bind you

there aren’t enough
iron chains, piano strings,
or Mardi Gras beads made out of
concertina razor wire
to wrap around your neck
and throttle you with

nor is there a steamer trunk
heavy enough and sturdy enough
to fit you into, weight it down
with all the barbells in the gym,
wrap the whole thing in chains, and
toss it off the backside of the ferry,
just like Houdini, except,
hopefully less skilled
at the art of escape

you, who have such a knack for
finding beautiful things,
and shattering them
or, at least, doing your damndest to try

you will find
no welcome here

as if you
thought any more
of yourself,
honestly

which of course,
you would
never be

viii.

news anchor
spin games

rewriting history
playing both
the victim
and the hero

convince us,
once again,
explain to us,
what a paragon of virtue
you are

I’ll wait.

you are the weeds,
choking out beautiful flowers,
because you envy them

but, you wouldn’t be happy
being a rose

not even if all the work
of being a rose
was done for you

the moment you actually
became a rose,
you would instantly
become jealous of the orchids

you’d swear that you were
being cheated
by all those selfish petunias

you’d be
stabbing marigolds in the back,
shanking them with
a bundle of thorns
you made in your
unlocked prison cell

stealing their soil and their sunlight,
telling all the dandelions,
honeysuckles, and carnations
what terrible, awful creatures
the petunias and orchids are

and, all the joy
of being a rose
would perish

somewhere in the dark,
shaded corner
of a dry bed of dust
where nothing
ever grows

go on,
be as angry
as you like

I tried to
warn you

I told you
to go take
a nap


©2024 Kevin Trent Boswell 


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