Unchanged

This is the video for Unchanged. The .mp3 song download is available for patrons, over at Patreon.

https://youtu.be/J-qcj7W9xR4

It’s an original, definitely in the vein of my signature brand, a type of madness so strange that I had to give it a new name. I call it Purple Mind Licorice Music®️.

It combines alternative rock, funk, jazz, folk, blues, heavy metal and psychedelia. It’s a long name but Parliament already has Funkadelic and well, let’s face it, Alterna-Funk-N-Roll isn’t nearly as sexy as Purple Mind Licorice Music. Why yes, I do tend to talk about my music like James Brown talked about his. Thank you for noticing.

Side note, if you haven’t seen the film Get On Up, it’s surprisingly good. I’m a big fan of The Godfather of Soul, The Minister Of New New Super Heavy Funk (even if he was a total wacko, in real life). But for whatever reason, I didn’t think the movie would be all that great. I was delightfully wrong.

Besides, alternative is a lousy category. Any genre that contains Nirvana, REM, Alice In Chains, Weezer, Coldplay and Bush isn’t particularly helpful in guiding listeners’ decisions. They seriously need to scrap that garbage and revisit the drawing board.Back to the business at hand. I’ve played this song live in my band but we just never managed to get a decent recording of it.

I’m doing the vocal and all the bass and guitar parts. Here, I abandoned my memories of how we played it in the band and just started from scratch, all by myself, just me and my computer drummer, Stinky the Robot.

Fake It ‘Til You Break It

I’ve got a habit of improvising my lead guitar parts, as opposed to writing out a solo in advance. There are songs that I write solos for but those are special cases. Usually, I just improvise and keep the bits that I like.

If anyone takes issue with that, many years ago I read an interview with David Gilmour (Pink Floyd) in a guitar magazine. He said that’s the same process he uses in the studio.

He would take several, improv passes at a song, then cut and paste the bits he liked. Later, he’d go back and learn those parts for the live shows.

Comfortably Numb was done that way and I think that song did alright. It sold like over a thousand copies or something. Trust me… in my head, that joke was hysterical.

Of course, I also have a habit of keeping what I regard as being some of “the more charming mistakes“, for better or for worse. There’s one or two of those in the jam section at the end of this tune. I was tempted to re-record those bits but if they make me giggle, then they stay. Giggles are a precious commodity, not to be wasted.

Unchanged

These wounds, open and tender
Reveal your face to me
Into the chalice of my arms
The blood of your suffering flows free

It’s a mild mannered possession,
This waiting for the rain
Encumbered by the spell and
Groggy in the slumbering delay

A scrap of ribbon, fallen
From a lover’s hair
Found by the boots of boredom
Lament for things not yet dead

A piece of my soul floats there
Down in the puddle below
Somewhere in a watch pocket
An insane notion explodes


All words and music
© 2021 Kevin Trent Boswell

Thank You

Special thanks to the following people for providing the video footage and photos. If you enjoyed the visual aspects of the video, the credit is all theirs.

cottonbro

Yaroslav Shuraev

Pavel Danilyuk

Polina Tankilevitch

Vlada Karpovich

Relaxing Guru & Co.

Alena Darmel

The Weight

This is my cover of the song “The Weight” by that excellent group known simply as The Band.

“It consisted of four Canadians and one American: Rick Danko (bass guitar, vocals, fiddle), Garth Hudson (keyboards, accordion, saxophone), Richard Manuel (keyboards, drums, vocals), Robbie Robertson (guitar, vocals), and Levon Helm (drums, vocals, mandolin, guitar).”

Source: https://en.m.wikipedia.org/wiki/The_Band

I’ve had a deep love of this song for as long as I can remember. It’s got a fun, upbeat vibe to the music but the lyrics (as the title suggests) are very heavy.

It’s a song about loneliness, disappointment and suffering. It’s about asking where you turn when all your best laid plans have fallen apart.

When I do a cover song, I usually try to reinvent it to some degree. I try to put something of my own mark on it. In this case, it didn’t feel right to completely reshape the song. There are really only two ways that I’ve wandered away from the original.

One is that I had to somehow fill up the empty space left by Garth’s piano playing. I chose to do that with harmony guitar parts, because guitar is my instrument and I gave them a simple and slightly somber quality, to accent the lyrics.

The other is that I shortened the chorus and used heavy effects on the vocal harmonies. I’m doing all the vocal, guitar and bass parts on this. The drums are by Stinky the Robot, my computer-based drummer, who is even more difficult to work with than a real drummer, if that’s even possible.

Gratitude

Special thanks to the following people for providing the evocative video footage that helps bring to light our social problem of the lost and disenfranchised. Homelessness and mental illness are entirely too prevalent and much more needs to be done.

We can’t be a healthy society unless we take care of our own and that means everyone, however unpleasant it might be to look into that chasm and think “There, but for the grace of God, go I.” We must do more… much more.

If you have the means to do so, please donate your money and your volunteer time to one or more of the many quality organizations that offer help to the homeless, the mentally challenged and to stray animals. Most of the people and animals on the street got there by bad luck and they deserve a second chance.

MART PRODUCTION

RODNAE Productions

Mental Health America (MHA)

Anastasia Shuraeva

Support the creation of more music, poetry and madness by Trent Boswell, at:

https://Patreon.com/Magus72

Sweet Jane

Here is my cover of The Velvet Underground’s excellent song, Sweet Jane.

The images in the video are “famous Janes”, with the exception of course of the two photos of the old Stutz brand motorcar, which is referenced in the lyrics.

All bass, guitar and vocals are me.

The drums are by Stinky the Robot… because that’s a good name for the drummer who lives inside my computer. He plays only what I program him to play, he’s drunk only half as often as a human drummer and he smells better.

The .mp3 song file is available for patrons, over at:

https://patreon.com/magus72

Magus72 on Patreon
Magus72 on Patreon

Home At Last

Need something happy, bright, optimistic and hopeful? Well, I got somethin’ for ya.

If you’ve watched more than a couple of my music videos, then you’ve probably already figured out that I’m not exactly the go-to guy for upbeat, happy, cheerful stuff. No, I tend to gravitate towards a gritty type of realism that often steers drunkenly over the white line, into the oncoming traffic of blatant nihilism.

But I do have my occasional moments of peace, love, joy, the ultimate beauty of life and the universe… you know, all that happy, sappy shit. This is one of them.

So, get it while it’s hot, because I don’t usually serve this particular, gourmet dish in my joint. My greasy spoon typically sells cheeseburgers and beer, with a side of kick in the groin.


From the album Flagship by Trent Boswell. Full album and individual songs are available for streaming and/or purchase, at iTunes, Amazon Music, Spotify and other music services.


Trent Boswell – guitar, vocals

Words and music by Trent Boswell


Lyrics

Home At Last

Butterfly squadron, airborne children
Sweet love and flowers, rain from above
Tadpole navies trade guns for babies
There ain’t no death here, no lies, only love

I’m in the fields of forgiveness,
To the left of the sea
Towering castle awareness,
Summoning me

Butterfly squadron, airborne children
Sweet love and flowers, rain from above
Tadpole navies trade guns for babies
There ain’t no death here, no lies, only love

World is awoken; all are attending
With apologies spoken,
All wounds are now mending
High in the sky, we can see
What we’ve strived for…
We’re finally free

I’m in the fields of forgiveness,
To the left of the sea
Towering castle awareness,
Summoning me

Ocean spray wonderful
Freedom to laugh
We’re in the land now
We’re home at last

© 2021 Kevin Trent Boswell


Support the Arts

Support the creation of more music, poetry and madness by Trent Boswell, at:

Magus72 on Patreon

https://Patreon.com/Magus72


Immense Thanks!

Many, many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.

I truly appreciate what they’re doing because I wouldn’t be able to make these videos, without their help.

Super Lunar

INNORECORDS PhotoVideos

Pavel Danilyuk

Nomad Nation Videoproduktion

Taryn Elliott

ROMAN ODINTSOV

Ambient_Nature_Atmosphere

Ruvim Miksanskiy

Matthias Groeneveld

Kelly Lacy

Childhood’s End

Here’s a Pink Floyd cover I did. This is the song “Childhood’s End” and it’s from their album, Obscured By Clouds.

Trent Boswell – vocals, guitar, bass


Lyrics:

You shout in your sleep
Perhaps the price was just too steep
Is your conscience at rest
If once put to the test?
You awake with a start
To just the beating of your heart
Just one man beneath the sky
Just two ears, just two eyes

You set sail across the sea
Of long past thoughts and memories
Childhood’s end, your fantasies
Merge with harsh realities
And then as the sail is hoist
You find your eyes are growing moist
All the fears never voiced
Say you have to make the final choice

Who are you and who am I
To say we know the reason why?
Some are born; some men die
Beneath one infinite sky
There’ll be war, there’ll be peace
But everything one day will cease
All the iron turned to rust
All the proud men turned to dust
And so all things, time will mend
So the song will end


Words and original music written by Pink Floyd. I’m covering the song but I’m not charging anything for it, because seriously… who can afford Pink Floyd royalties?!


But you can support the creation of more music, poetry and madness by Trent Boswell, at:

Magus72 on Patreon

https://Patreon.com/Magus72


Many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.

Aaron Burden

INNORECORDS PhotoVideos

Blerdi Malushi

Ruvim Miksanskiy

Kelly Lacy

Matthias Groeneveld

Mikhail Nilov

Tima Miroshnichenko

Tobias Bjørkli

Jozef Papp

Yaroslav Shuraev

cottonbro

Rithish Kumar

Taryn Elliott

Pleasant Stroll

From the album Flagship by Trent Boswell.

Album available for streaming at:

iTunes

Amazon

Spotify

Or get a signed copy of Flagship at:

ConjureWork.com


Trent Boswell – guitar, vocals

Ed Kopp – bass guitar

Brett Waress – drums, hand percussion

Words and music by Trent Boswell


Lyrics

Walking down that road
With your hand in mine
This world will be ours
Just give me some time

Walkin’ toward the sunset
No, they haven’t beat us yet
We will watch the sunrise
From the other side

When our time is done here
Then we will walk on
To where we will meet God
To teach us a new song

Everybody’s Happy
You know that everybody smiles
The road that we are walking
Is measured not in miles

© 2021 Kevin Trent Boswell


Support the creation of more music, poetry and madness by Trent Boswell, at:

https://Patreon.com/Magus72

Magus72 on Patreon

There are several tiers of support, each one with more benefits than the last, starting as low as $3 per month.


Many thanks to the following, for the images in the video. You may or may not like the music but if you like the video, the credit for that is all theirs.

Marian Croitoru

Maksim Goncharenok

Adrien JACTA

James Liškutín

Kindel Media

@cottonbro

Kampus Production

Pavel Danilyuk

Taryn Elliott

Also: Tim Samuel, Gustavo Fring, Ketut Subiyanto, Keira Burton and swb1891 s